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C O M P E N D I U M Friday, December 17, 1999 |
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CHANDIGARH, Dec 16 With loose, hanging duppatas, painted with some contemporary and traditional forms, forming the backdrop of a slide show on the diasporic South Asian art followed by a discussion on the Indian art both here and abroad, the scene was one of a debate and deliberation between artists and art lovers. The slide show and lecture were presented this evening by a Canada-based artist, Shelly Bahl, who is currently exhibiting at Art Folio, Sector 9. Shelly is a recipient of the Shastri Indo-Canadian Senior Arts Fellowship for an artist residency in India. In her lecture and slide show, the artist presented a show of her works as well as her contemporaries whom she is working with. The various slides presenting Shelly's own sets of work was a showcase of a diverse range of her views on life, which did not seem to draw any line between abstraction, symbolism or surrealism but formed its very own idiom, which to the uninitiated Indian viewer often comes as a shock. The slides showed art installations that play with images, loose fabric, videos and are definitely influenced by both pop art and also the traditional Indian images, both decorative and common at the same time. "What I am interested in is what happens when a thing looses its authenticity, and sometimes when people see my works they think that these are prints but on going closer they realise that these are hand-painted works". She then went on to show some more art installations which had some more overwhelming forms that included matrimonial texts embroidered on silk fabrics, CT-scans with poetic texts imprinted on them or play swings hanging by synthetic braids! In a passionate discussion that followed after the slide show, Shelly noted that the act of the Third World artists getting together was also a political necessity more than anything else since, for a very long time, these artists were being neglected by the West. Meanwhile, a handful of artists present amongst the select gathering today noted that it was essential that artists in the country also got together to form a community of themselves. A lot of heated arguments also took place on the issue of questioning the art and the artists of the West, but at the same time breaking the bondages of living in the past without attempting to experiment with the old existing forms. The various artists and the audience also deliberated on whether or not the purpose of art was to sell or simply express an idea by putting up their creations for display. The talk was presided over by Ms Surinder Paul Kaur, Chief Commissioner of Income Tax, North Western Region, UT. The exhibition of Shelly will be open till December 22. Pardesi regales with ghazals CHANDIGARH, Dec 16 A melodious evening was in store today at the Thursday nite programme of Sangeet Natak Akademi at Punjab Kala Bhavan, Sector 16, when UK-based ghazal singer Deedar Singh Pardesi was invited to perform to a select gathering. A Punjabi and Urdu ghazal singer and a folklore singer, Pardesi has spent most of his time in Kenya. As a singer for Radio Kenya, he became very popular. The audience swayed to
his music tonight and seemed enchanted by the range and
versatility of his voice. After his retirement as a
teacher, Pardesi is now devoting his time to the
promotion of the culture of Punjab. The programme was
presided over by Surjit Pattar, a Punjabi poet. |
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