Thursday,
October 4, 2001, Chandigarh, India![]()
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Bollywood’s
most enduring hero Riding on
the wings of luck
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Bollywood’s
most enduring hero
From ‘Mashaal’ and ‘Mr India’ to ‘Tezaab’, ‘Ram Lakhan’, ‘Kishan Kanhaiya’ ‘Beta’ ‘Eeshwar,’ 1942: A Love Story,’ ‘Virasat’ and ‘Pukar’ and has produced more hits than any other Bollywood hero. But still does that make him the ‘nayak’ of Hindi cinema? If the box-office response to his latest starrer of like name is any indication, Kapoor should indeed qualify as one of the longest-surviving lead stars around. And the odd part is that even before he appeared in M.S. Sathyu’s ‘Kahan Kahan Se Guzar Gaye’, he had known he was ‘hero material’ and nothing less. "I knew the way I looked would only get me romantic hero roles," he clarifies. "Even Shabana Azmi tells me that when she saw me first, she took me to be a filmi brat. So I deliberately made my debut in parallel or what was then called art cinema." Apart from Sathyu, Kapoor worked with south Indian filmmakers Bapu ('Vamsavriksham’ in Telugu) and Mani Ratnam (‘Pallavi Anupallavi’ in Kannada) before Yash Chopra gave him his "real break" in mainstream Hindi cinema with ‘Mashaal’ in 1983. "You could say that was the turning point in my career" he narrates. "For at the premiere of ‘Mashaal’, I signed ‘Meri Jung’ and ‘Jaanbaaz’, two of the biggest films of the time. The industry took note and understood that someone big had arrived." For an actor who grew up with the idealistic films of Raj Kapoor, Guru Dutt, Elia Kazan and Marlon Brando, success, though hard won and well-deserved, has not brought in a swagger. For that matter, he is the least controversial of all stars with no scandal or court-case to his name. He has been married to the same woman for 17 years and is extremely fond of his three children. "Nobody at home ever lets me feel like a star," he jokes, somewhat ruefully. "I am now 42 and everyone still says that I am dominated by my wife Sunita and of course, big brother Boney." There may be some truth in that self-deprecating remark. For the older brother has certainly been calling the shots in his capacity as producer and worse, as a self appointed manager. Boney is supposed to tell his brother who he can be seen with, whom to avoid, what he should charge and how he should organise his dates. But the kid brother has his own explanation of this: "Boney has got a bad name because while I just concentrate on my work, he is the one who deals with the industry. So sometimes he may seem to be a bully. For every ‘Heer Ranjha’ (a flop) he has recommended that I do, there’s a ‘Viraasat’, which was a super-hit." "On the other hand, Sunita is the stabilising factor in my life," he continues. " Till today, I have not managed to persuade her to pose for a picture with me, lest she be recognised in public. She says that there’s only room for one star in the family. She’s so independent-minded that she flies economy-class!" And how does he find himself sandwiched between these two strong-willed individuals? "I have no complaints," he
shrugs. "I am completely useless when it comes to day-to-day
things, running a family, looking after kids... Sunita takes care of
that. Boney is there to deal with fixing stuff, switching on the TV and
attending to outsiders. All I like to do is act. Period." (MF)
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