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Sunday, November 18, 2001
Books

Udaipur: the long proud royal history
Review by M.L. Sharma

The Kingdom of Mewar by Irmgard Meininger. D.K. Printworld, New Delhi. Pages 208 +. xii. Rs 1695.

"THE history of Rajasthan," Charles Allen quotes Maharani of Wankaner in his book "Lives of Indian Princes", "is something marvellous but the history of Chittor is above everything. Three times in its history, the women never turned their backs when they saw that their husbands were losing. Either they went into the battlefield wearing men's clothes and sacrificed themselves, or they entered the pyre..." Roderick Cameron calls it an enchanted place.

This book traces the history of the Kingdom of Mewar (Udaipur) spreading over 1400 long years. The Mewar family (Sisodias, the former clan of Guhilots) is the oldest royal family in the entire world. They trace their descent to Rama's son, Luv, and the sun (it figures on the crest along with Maharana Pratap and a Bhil chief). Known for their valour and sacrificing spirit, tolerance towards non-Hindus (though themselves staunch Hindus), they were great reformers, connoisseurs of arts and builders of remarkable buildings, temples and palaces. Although it is certain that none can compare with the sheer beauty and authenticity of Colonel Tod's "Annals and Antiquities of Rajasthan", Irmgard Meininger has tried to present the history of Mewar in a chronological order. She has drawn from various sources like the works of Brian Masters, Cameron, Charles Allen, Somani, Virginia Fass, Majumdar, Suresh Goyal, Dhananjaya Singh, besides the most remarkable of all, Col James Tod. The present Maharana, "Shriji" Arvind Singh Mewar of Udaipur; the 76th in the line of succession, inheritor of a glorious tradition, a personal friend of the writer, has provided her with useful information. Her four years of research and study has provided her with interaction with the nobility and access to the useful archaeological data.

 


Famous by the immaculate purity and matchless beauty of the Sri Lanka-born, Padmini (a close relative of Gora and Badal, two of the most fearless warriors), immortalised by her sacrifice; Maharana Pratap, who knew no appeasement and surrender to the Great Moghul Akbar; Mira Bai, the saint poet, whose divine poetry is remarkable for its deep emotional touch and simplicity of expression; Panna Dai, who sacrificed her son to save the heir to the throne, Udai Singh, the founder of the present Udaipur, the kingdom of Mewar, holds a fascination for all lovers of art, architecture and Rajput chivalry and the unique traditions of the people and their sovereigns.

Spread over 23 chapters, the book embellished with striking photographs of the Maharanas, palaces, monuments like Victory Tower (Vijay Stambh), and temples narrates in a dramatic style the episodes of the unsuccessful quest of the treacherous and infatuated Sultan Allaudin Khilji for the possession of the supremely beautiful Padmini and how Padmini saved her husband, Rattan Singh, from captivity and finally committed jauhar, Maharana Jawan Singh, bohemian and a debauch ruler and the curse of a nautch girl, who was successfully walking over a tied rope across Pichola lake for the bet of half the kingdom but was drowned by a Minister who cut off the rope because the fulfillment of the promise might make her a half ruler. Before she could breathe her last she cursed that Maharanas would have no sons as heirs to the throne (there were eight adoptions); Panna Dai's unique sacrifice; Maharana Pratap's unyielding spirit and the financial help of the Bhils, etc.

The history of Mewar is not free from intrigues, murders, debauchery and vainglory although some kings led spartan lives.The episode of Mira Bai is described in a brief sketchy manner, not fitting her unique position in Vaishnav bhakti tradition. She was not treated harshly for her devotion to Krishna but for her free mixing with commoners, mendicants and wandering sadhus. The writer's narrative power deserves appreciation.

Few people know that Maharana Pratap had 11 wives and 17 sons. The writer quotes Maharana Bhagwat Singh of Mewar to describe the unique position of Maharana Pratap in the history of Chittor: "There were times when almost the whole of northern India was our kingdom, and times when not even the rock or piece of earth on which the ruler sat was his. That is why Maharana Pratap Singh is called the light and life of the Hindu community. There were times when he and his family and children ate bread made of grass. A couplet of one of the bards says that Maharana Pratap was so busy fighting for freedom that he had no time for his children. When they were starving they went to their father's famous horse, Chetak, and hugged it and cried out: "Our father has no time for us and we are hungry. Do something to help us!"

Maharana Pratap was the 52nd ruler but 51 rulers before him had done the same thing.There is a graphic description of Maharana Pratap's battles against the Mughals, showing the greatness of the man, unique in the history of the Rajputs. She writes: "Pratap who had learnt lessons in warfare from his early childhood and was conscious about the danger for Mewar from Akbar, worked from the first hour of his enthronement to gather around him brave soldiers. He strengthened the forts of Mewar, especially Kumbhalgarh and temporarily made Gogunda and Chawand his capitals. Pratap was filled with the desire to recapture Chittor; from his youth he had roamed in the valleys and hills of the Aravalli. In this way he had won the respect, love and confidence of the Bhils who later proved a greater help to Pratap."

The writer has tried to present a true account of the events, neither flattering nor over-critical in a most dispassionate manner, with no bias. She is bold enough to criticise Indira Gandhi for being adamant and overzealous in cutting the wings of the maharajas by abolishing their privileges. About Maharana Fateh Singh she tells us that he never bowed before the British authority, was most adamant in his decisions, but the British colonial rulers admired him for his straightforward nature. "Maharana Fateh Singh showed the British several times that he was not a puppet of the British. In 1888, the Government of India asked Maharana Fateh Singh to raise a special force for the imperial defence. Fateh rejected". The Maharana did not attend the Delhi darbar in 1903 even though Lord Curzon, the Viceroy, personally came to Udaipur to persuade him.

She quotes Colonel Tod to describe the great humanitarian qualities of the most remarkable builder and a charitable ruler: "Jagat Singh was a highly respected prince, and did much to efface the remembrance of the rude visitations of the Mughals. The dignity of his character, his benevolence of address and personal demeanour, secured the homage of all who had access to him and are alike attested by the pen of the emperor, the Ambassador of England and the chronicles of Mewar".

She describes also the sportsman qualities of Maharana Bhagwat Singh, who was president of the Rajasthan Cricket Association. He was adopted by Maharana Bhupal Singh in 1940. Maharana Bhupal Singh was instrumental in leading many states, including his own, to the Indian Union after independence and was made Raj Pramukh for lifetime.The present scion of the ancient house of Mewar, Maharana Arvind Singh, is a thoroughly modern businessman with traditional values, a builder, a hotelier and chairman of several foundations. He is a deeply religious man, humanitarian, dedicated to the worship of Sri Eklingji Maharaj. He manages his hotels and personally oversees construction work. He calls himself a servant of Eklingji (Lord Shiva). Maharani Gayatri Devi of Jaipur writes about the present Maharana of Udaipur: "Today Arvind Singh Mewar, 76th custodian of the House of Mewar, believes that a great deal can - and should be - preserved from the past but it is the future, far more than the present, that concerns him."

This remarkable work with numerous photographs, bibliographic references and a glossary will be a useful addition to the literature on Rajasthan, especially Udaipur. It is a feast for the eyes and gives a new look at Indian history, especially the medieval India. Written in a chaste and racy style, the book presents in a cinematographic manner the picture of the Mewar history, full of its glory and tribulations.