Chandigarh, November 18
There is no easy way to anything. Rules of life are simple — one thing at a time, all things in succession. That which grows fast withers away soon, that which grows slowly...invariably endures. Playwrights have often had their way with words in voicing this philosophy of life.
But the style with which Vijay Tendulkar has juxtaposed the good and the bad element in the protagonist of Sakharam Binder is no less than “crudely factual”.
Director Umesh Kant scored his points by a skillfully handling of a fluid subject called man.
The play, which was staged for the 12th time today (third time in the city) at Tagore Theatre grew on three characters — the protagonist, Sakharam (played by Yogesh Arora), who denigrates women in his life so that his hatred towards the community continues to be fed; the humble Lakshmi (played by Jaspal Deol), who, despite standing crude physical tests of Sakharam, swears by him every moment; and Champa (played by Neetu Sharma), a woman from the sordid slums, who practises rashness like religion.
The story is free from the fetters of complication. It is about plain truths of life. Sakharam, a binder in the press, is weary of the hypocrite world.
He lives a life of dirt, practises prostitution, tortures women, lives on intoxicants.
But there is one strength in his character — that which honesty begets. He uses them and discards them when he wants, but he is always honest about his escapades. Lakshmi, the eighth woman in his house, pricks his conscience.
His guilt weighs heavily upon him and he finally turns her out, only to settle for a rash and rustic Champa. The latter cheats on him and gets killed in return. The murder changes the course of events. An obdurate Sakharam surrenders to an enduring Lakshmi.
The use of ‘mridamgam’ in the play revealed a lot of concealed rhetoric. It was highly suggestive. The script was powerful enough to engross the audience for two hours. Its dramatic quality was further enhanced by crisp dialogues, delivered by the actors with great confidence.
The director had done his research well, so had the actors. Each one fitted well into the story line, with no character appearing or sounding out-of-place.
Yogesh Arora embodied the pain of those who wish for goodness, but plunge into frustration when they find none.
Jaspal Deol truly lived Lakshmi, so did Neetu Sharma in the role of Champa.
A student of Department of Indian Theatre, Neetu showed promise. Surinder Vicky in the role of Faujdar Shinde and Rahul Joshi in the role of Muslim boy were convincing.
As for the director, his involvement was reflected in every stage sequence. So well-packed and presented was the entire effort that every act generated applause. Umesh Kant said towards the end, “My faith that the woman alone has the power to change the man pushed me through this production.”