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| Sunday,
December 30, 2001, Chandigarh, India
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PUSU demands
place for Kang on Senate Chandigarh, December 29 |
Adept presentation of
Sartre’s play Chandigarh, December 29 The story unfolds against the backdrop of a country inhabited by people who have no courage to rebel against the unreasonable norms set by their king. Condemned to wear only black attires, the inhabitants live in constant fear of being subjected to the acid test of climbing a dais separating the evil from the good. The story’s climax is the arrival of a youth in white. Soldiers drags the boy to the dais for justice where he is joined by a girl who dares to defy the king’s order by wearing pink. As both victims climb the dais and come down unscathed, people in the kingdom are liberated of their fear. This 45-minute long play finishes on the note that life is too short to be spent on irrelevant and unjust social norms forced upon by the so-called leaders of society. The cast included Parveen Sharma as Raja, Navtej as Auliya, Preeti Sharma as the rebellious girl, Mohan as the stranger , Gaurav Sharma as the common man and Aarti as the old lady. The play was directed by Mohinder
Dogra. |
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Shafaatullah captivates old and young Chandigarh, December 29 It was for the first time the city audience had an opportunity to savour the melodious notes of Imdad Khan gharana, courtesy Department of Cultural affairs, Chandigarh Administration. Equally renowned for his skill on the tabla, Shafaatullah thawed the winter chill with Teen Taal. Starting the evening with a composition “Peshkar” in teen taal he showed his expertise by playing 16 beats. He improvised on various ‘Tihais’ composed in free style that captivated both the old and young among the audience. The second half of the show was a solo recital on Sitar. He started with ‘Aalap’ in raag Desh. He then moved on to raag Khamoj. Shafaatulla began his career at an early age on the sitar and surbahar under the guidance of his father Ustad Imrat Khan, who along with his brother Ustad Vilayat Khan are legendary maestros of the Indian sub-continent. Later, he diversified his interest to Tabla and studied under Ustad Ibrahim Khan. He learnt the most rare and ancient tabla compositions of varying regional style. At tonight’s concert, Shafaatullah was accompanied by Madan Sharma on the Harmonium and Renu on the tanpura in the first half and Mahmud Khan on the tabla and Link Kohen, one of his American students, on the tanpura. |
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