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Stale, though informative, insights on the feminism of Sylvia Plath
Randeep Wadehra
A Woman’s Own
Language?
by Sat Pal Jindal. Suraj Prakashan, Ambala City. Pages 170. Rs 390.
SYLVIA
Plath was a sensitive, talented poetess. She was mentally unstable and
had suicidal tendencies. Her suicide made her an icon of feminism
posthumously, and perhaps fortuitously. She was born in October 1932,
when the so-called first wave of feminism had about ebbed. She killed
herself in February 1963, when the feminist movement’s "second
wave" was gathering momentum. Her works are considered to be a
"pioneering" contribution to the cause of women’s lib.
While reading her
poems, journals and the only novel she wrote, one does not espy the
archetype fire-eating, bra-burning feminist, but a tortured soul whose
protests are only occasionally peppered with flashes of anger — hardly
the avant-garde new woman that some feminists have tried to discover in
her.
She was scarcely eight
when her father died. Brought up in a single-parent family, commonplace
in the then post-War society, she developed a sort of love-hate attitude
towards the dead man, as reflected in her works Daddy and The
Collossus. As a young woman she considered herself as
"dangerously brainy"; in fact, she set very high standards for
herself. Failure invariably depressed her, leading to emotional
breakdown and a failed suicide attempt. The fact that she was wrongly
given electro-convulsive therapy only added to her misery. Her marriage
to British poet Ted Hughes, who later on left her for another woman, was
an unhappy one that temporarily smothered her creativity. Through the
character of Esther, The Bell Jar reflects various shades of
experiences and emotions (in Caroline King Barnard’s words,
"confusion, disintegration, and renewal") from Plath’s life.
Needless to say men do not emerge exactly in eulogistic hues in the
narrative.
Jindal’s book is a
modified version of his research thesis on Plath’s solitary novel The
Bell Jar. He has methodically analysed the work, giving appropriate
background material. His notes and observations, presented lucidly,
should give lay readers a perception of Plath, her works and a bit of
the related literature on women’s movement. Yet his dissertation has
nothing new to add to the Plath legend, nor does it provide fresh
insights into the relevance of her work to today’s times when feminist
movement has simmered down. Now when there is a yearning for the old
family values in the West, and informed women in Asia and elsewhere,
even though miniscule in numbers, are still not sure whether to reject
the feminist dogma in its entirety or to adapt it to their respective
socio-cultural environments, it is pointless to merely repeat what has
already been said elsewhere.
Nonetheless, students
of English Literature will find this book useful in getting acquainted
with Plath’s novel. They will also get a glimpse into the various
dilemmas faced by her as a creative person, as well as the factors that
acted as catalysts for her creativity.
Icons from the World of Business
by Devangshu Dutta.
Puffin Books, N. Delhi. Pages viii+130. Rs 150.
WHEN
precocity meets vision and attitude, a leader is born. Leaders are not
products of their circumstances. Instead they mould or transcend these
to attain cherished goals. This is true of people in all walks of life.
There is a plethora of literature on political and social leaders. But
this book is different, as it highlights modern-day achievers in the
field of business.
Dutta has included only
such businesspersons in the list as are alive, successful first
generation entrepreneurs and preferably pioneers. He ominously informs
that this paradigm has been set because, "It is not considered
polite to speak ill of the dead and it is impossible to present anything
remotely resembling a balanced profile if one abides by that
restriction".
Consequently, this book
deals with such personages as Narayana Murthy, Sabeer Bhatia, Azim
Premji, Ekta Kapoor and six others. However, there is only one woman in
this august list, turning Groucho Marx’s jest on its head, "Only
one man in thousand is a leader of men – the other 999 follow
women". Witticisms apart, this is certainly worth a serious read.
Glimpses of Kashmir
by Prof. S.K. Sopory.
A.P.H., N. Delhi. Pages xv+147. Rs 300.
A
victim of history, Kashmir was once looked upon as paradise on earth.
Unfortunately poverty, violence and international intrigue have ravaged
it beyond recognition.
However, it has proved to be resilient enough to
renew its quest for all-round progress.
In a seminar titled
"Science and Synthesis and Kashmiri Heritage", organised by
the Kashmir Education Culture and Science Society, intellectuals from
different fields presented their views on such topics as scientific
research and philosophical, cultural and spiritual aspects of Kashmiri
legacy.
Sopory has done well to
meticulously compile the proceedings of the seminar in the form of this
book, which will be useful to those interested in Kashmir’s social,
economic and cultural evolution.
The Why-Why Girl
by Mahasweta Devi.
Tulika Publishers. Pages 24. Rs 100.
NOTED
writer Mahasweta Devi has brought her experiences of working among
tribals, particularly children, in Bihar, West Bengal, Gujarat and
Jharkhand to her book titled The Why-Why Girl.
The author’s first
picture book, it tells the tale of Moyna, a Shabar tribal girl, who is
unable to go to school as she has to attend to household chores. But
between tending goats and collecting firewood, this little girl, with
her unbridled curiosity, keeps throwing up questions about the world
around her. She is always brimming with so many ‘why-whys’ that she
earns the sobriquet The Why-Why Girl. Her quest for knowledge
leads her to books, which she herself learns to read and wherein she
finds the answers that she seeks.
Moyna thus embodies the
spirit of inquiry and the close bond with nature that characterises most
tribal children and even non-tribal ones.
The only children’s book
that Mahasweta Devi has penned in English, this slim but colourfully
illustrated volume has been translated into several regional languages.
The Malayalam translation has been done by Paul Zacharia, the Tamil one
by Ambai and the one in Kannada by Girish Karnad.
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