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Restoring the sanctity of marriage Aruti Nayar’s article
“Where love has gone”? (Spectrum, August 1) is not realistic. The writer’s observation excludes the common people and focuses on the elite and urban rich. She is making sweeping generalisations about Indian women in our villages and towns. No doubt, mobiles have come and the winds of “mindless consumerism” are blowing throughout the country but it is wrong to assume that every woman is ready to change her husband at the drop of a hat. As many as 80 per cent of the marriages are still “arranged” and most of the men and women come to know each other closely only after their marriage has taken place. There is little love between modern husbands and wives. As human beings we have become callous, cold and intolerant towards one another. Marriage ties are also affected by the same trend. Love must be brought back if want to enjoy our lives on this beautiful planet. Dr R.B. YADAV
DEHATI,
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II Most couples these days are not giving enough time to adjustment in their marriage. Undeniably, the charm of marriage, whether an arranged or a loved one, soon wears off. The late I.S. Johar has aptly commented, “Marriage is like a chewing gum. In the beginning it is sweet, later you just chew the gum.” But ultimately marriage is how you make it. It is the defiance of woman’s traditional role, exposure to western culture and influence of media that causes clashes in the family. Young women should wisely combine traditional and modern roles for a harmonious relationship at home. ROSHNI JOHAR,
III I share the writer’s concern over the erosion of sanctity of marriages. Young boys and girls, under the influence of modernism, often enter into marital ties even without the consent of their parents but soon they find the marriage rocked with all expectations belied. Failed marital relationships are a matter of grave concern as they result in emotional crisis, social tensions and breakdown of values. Without a happy, permanent family system, we can’t visualise a civilised society. To make marriage meaningful and successful, there is a need for mutual understanding, dedication and commitment. Marriage should not be considered a temporary arrangement to satisfy sexual urge but be recognised as a sacred bond. NEELAM BATRA,
A poet’s passion Apropos of Rana Nayar’s
“Pablo Neruda: Yug Purusha” (Spectrum, July 25), the 20th century is indebted to Pablo Neruda for his stirring, emotive, impassioned and inspiring poetry. At the tender age of 16, Neruda was an established poet. That itself speaks volumes for his gifted talent. His verse gushed from his heart. Neruda’s greatness lies not in his poems alone. He was a multi-faceted person — a poet, romantic, diplomat and socialist to the core. He voiced the sufferings of the depressed in Latin America. His revolutionary magic has exhorted them to rise against despotism. The Spanish poet, Lorca, believed that Neruda wrote, not in ink, but in his own blood. DEEPAK TANDON, Panchkula
Book wise This refers to B.N. Goswamy’s
“The making of beautiful books”
(Spectrum, July 25) describing the history of printing with particular reference to the contribution of Johanne Gutenberg (1400-1468). Gutenberg’s 42-line Bible (1455) is the first printed book in the world. William Caxton (1422-1491) earns the honour of being the first English printer, with his book Recuyell of the Historyes of Troye (1474). In India, the first printing press was set up in Goa in 1556 by Portuguese Jesuit priests. They printed the translated version of the Portuguese book Doctrina Christa in 1560 followed by its Tamil version in 1564. The Jesuit priests sought audience with Jahangir and showed him the printed copy but the king expressed no inclination to adopt it. Reproduced (in analogous vein) is the epitaph of Benjamin Franklin (1706-1701), US scientist, politician and printer : “The body of Benjamin Franklin Printer, like the cover of an old book, its contents torn and stripped of its lettering and gilding lies here; food for worms; but the word shall not be lost, for it will appear once more in a new and more elegant edition revised and corrected by the author.” V.K.
RANGRA,
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