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Five-star staircase to the Everest
Return of the jhumkas
PACESETTER
Mahendra Chauhan
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Five-star staircase to the Everest Sixty years after Sherpa Tenzing Norgay and a New Zealand beekeeper, Edmund Hillary scaled the Everest over 3,500 persons have stood on top while 235 have died trying to conquer the peak which at 8,850 metres (29,035 feet) is the highest in the world. What is that lures people to the Everest? Two-time Everster Santosh Yadav says by the way of explanation “The Himalayas have something in them which tugs at people’s heart — the peace, the sense of divinity, the majestic beauty — make these mountains the most enchanting experience for any human being.” Beauty and grandeur More than 100,000 trekkers visit the Himalayas every year though only a few succeed in climbing the Everest. From the tourism point of view, the results have been spectacular. The standards of living of the locals have improved greatly even as an increasing number of enthusiasts from all over the world clamour to reach the highest peak. But the increasing tourist inflow has changed the nature of the flora and fauna more in six decades than it did in thousands of years. The problem has assumed such proportions that it has become a major worry for environmentalists. Today, Mount Everest has become a battle ground between conversationalists and commercial interests. Sincere mountaineers, who spend years preparing to climb the lofty peak, are aghast that the Everest has now become a part of a tour package. For a price ranging between $65,000 and $100,000 (Rs 35.75 lakh and Rs 55 lakh), tour operators will actually lay out a ‘highway to the Everest’ and then, proceed to haul the ‘climber’ over to the world’s highest peak. Mountain coolies The tour operators have made the Everest their business ever since they assessed a demand from enthusiasts, who wanted to get to the top. Now, on a given day there are any number of people climbing the mountain paths aided by these tour operators. Coolies not just carry their backpacks and other equipment but these ‘mountaineers’ are rumoured to be put in palanquins and carried on their shoulders over hazardous passes. “In many ways it is party time for people who are brought up by tour operators,” says an exasperated mountaineer. Such has been the rush that last year 234 people stood atop the Everest in (believe it or not) just one day! On May 10, no fewer than 38 ‘mountaineers’ queued up to stand atop the Everest. Most of them get themselves photographed on their ‘historic’ triumph. The ‘dummy’ route Many tourists are flown halfway to the Everest. There are two airstrips — the Syngboche Airport in Namche Bazar village which is at 3,780 metres (around 12,400 feet) and the other at Lukla town. Namche Bazar has many hotels to make the climbers’ stay comfortable. The best among these is Hotel Everest View in the Sagarmatha National Park. It is the highest located hotel in the world and commands spectacular views of Mt Everest. All tour operators use the South Col route to the Everest, not the tough West Ridge side. So easy has it become now to reach the summit from the South Col side that mountaineers, the real ones, have named it the “Yak Track.” Tour companies will ease your climb to the Everest from the time you land in Kathmandu. Luxury tents are provided for the trek, food is of top quality and if any climber has any dietary preferences even those are taken care of. The tour operator also provides radio communications, oxygen, medical supplies, sherpas, porters, camp staff and guides. All administration fees, including climbing permit, are taken care of and the cost also includes a one night’s lodging in Kathmandu after ‘conquering’ the Everest and any other incidental charges. Himalayan toll tax This tax is for shortcuts to the Everest. These shortcuts are used by sherpas and locals who erect bridges across difficult passes like the Khumbu Ice Fall. Those who want to cross the treacherous fall using this bridge have to pay a fee for using the facility. According to a mountaineer, a decade ago, no more than a single expedition was allowed up to the summit in one day. Now there are about 20 expeditions or more at any given day from the South Col during the peak season. The road to the Base Camp is not full of thorns either. At 12,000 ft, in the Namche Bazaar area, apart from the airstrip and the comfortable hotels, there are numerous snack stalls doing roaring business. Gone are the days of exotic wilderness. Today, Everest is a far cry from the time when Tenzing and Hillary conquered it. Sir Edmund once said, “In the two months that I spent up in the mountains, I cannot remember seeing a single person apart from my companion. Everest is a marvellous experience — dozens of untouched peaks all around waiting to be reached, scores of glaciers to explore. It is the sheer sense of isolation and remoteness.” Sadly, today the Everest is a crowded highway — a proof that the rich can buy anything for a bagful of dollars!
Mountaineering institutes Atal Behari Vajpayee Institute of Mountaineering and Allied Sports, Manali : One of the most popular courses at the ABVIMAS is the 26-day basic mountaineering course (BMC). It includes rock climbing, knot practice, rappelling and jumaring (use of metallic device to climb a rope) and use of ice axe. Students also learn river crossing, rope climbing, cramponing (stainless steel shoe strap-ons to walk on ice) and glacier walking. The basic mountaineering course which is held every month between May and October costs
RS 11,700 and includes board, lodging, food, equipment and camping. Nehru Institute of Mountaineering in Uttarkashi: The Nehru Institute of Mountaineering in Uttarkashi in Uttrakhand offers courses in mountaineering and has residential facilities. Perched on a hill across the east bank of River Bhagirathi, the institute offers the basic course for 26 days which includes extensive rock climbing training and map reading. Trainees spend around 20 days in the mountains where they are trained in the basic techniques of snow craft and ice craft at high altitudes. On completion of training, they are taken up to altitudes ranging between 12,000 and 15,000 feet for acclamatisation. The fee is
RS 5,000 which includes food, accommodation, equipment, transportation, medicines and other training expenses.
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Return of the jhumkas They say fashion trends always complete a 360º cycle and come back to haunt Gen Next. And that is the reason why grandmas sarees, dupattas, jewellery should never be discarded. The latest to complete this circle of trends and has taken an endemic proportion is jhumkas. Ear-splendor, once restricted to the four southern states of India, especially during the late 1970s and 1980s, has suddenly caught pan-India attention. From models, celebrities, politicians, sportspersons, professionals, housewives, maidservants, and just about any and every Indian woman irrespective of the region they belong to, are donning jhumkas. And according to wallet sizes, jhumkas are found in all price ranges. Right from Rs 5 to several lakhs, we find earrings being sold from footpath vendors to jewellery shops to high-profile jewellery designer boutiques. The material used ranges from terracotta, white metal, aluminium foils, silver, gold embedded with glass beads, pearls, crystals, semi and precious gems, kundan, diamonds and whatever else one can think of to enhance the beauty of these earrings. The popularity of these can be gauged from the fact that these have invaded the jewellery boxes of our filmstars. So now you won’t see only Rekha, Hema Malini, Vidya Balan in a Kanjeevaram sari, mogra flowers and, of course, the jhumkas but you will also find Rani Mukerji, Preity Zinta, Sonam Kapoor, Kareena Kapoor and others also in the South Indian jewellery piece whenever they don the traditional attire. The beauty of jhumkas hasn’t escaped the interest of our creative team, especially the Hindi film lyricists. Every generation from the 1950 to 2010: from Shailendra’s “Mila hai kisi ka jhumka” (1960) to latest Anvita Dutt Gupta’s “Oh! Radha tera jhumka” (2012) have extolled the beauty of this dangler earrings which has a top to clip on the ear and a semi-circular jhumar hanging off a small chain from the top. When you think of jhumkas, the popular songs that come to the mind are — Sadhana in her Lambani attire singing “Jhumka gira re Bareli ke bazaar mein” from the film Mera Saaya or Amitabh Bachchan serenading Jaya Bahaduri with “Tera jhumka re aye hai” in the film Abhimaan. “When we display jhumkas to our customers from in our shop, they always ask for jhumkas to be made the way actor Vidya Balan or Rekha wore either in a particular film or an event,” says Delhi-based jewellery designer Mira Gulati of the Mirari group. Of course, we can’t attribute the universal interest in jhumkas only to the popular South Indian filmstars. The fact is that jewellery designers have now realised the beauty of this piece and have started innovating in it keeping the basic design intact. Joining the bandwagon of designers of this piece are even fashion designers like Manish Arora, Sabyasachi Mukherjee, besides others. Sabyasachi’s jhumkas are very heavy and large — more than 80 gms of gold plus pearls and gems stones. Actor Anushka Sharma and, of course, his muse Vidya Balan are always seen in this. Manish has teamed up with Amrapali and designs in gold-plated silver jewellery. According to designer Chetna Nanda of Chitih Sparkling Gems, “Typical South Indian jhumkas were very heavy and required a kana (thin gold chain from behind the clamp of the jhumka to be clipped on the hair to take away the weight from the ear). These had a lot of metal. This made the jhumka very heavy and painful. But we have redesigned this item now.” Using gemstones and pearls don’t make jhumkas as heavy as the traditional ones. The lightweight jhumkas made in casual substance like wood, terracotta, white metal and others has made it possible for collegians to wear these on casual attire like jeans and T-shirts also. Tribal jewellery makers have also joined in. Designer Anindita (www.utsavfashion.com) sums it up, “Jhumkas are a beautiful blend of the traditional and the trendy. These can be adorned with salwar kameez, saris, shararas, kurtis etc... These present an image of ethnicity with modern sensibilities.” Gift a jewel Price:
Rs 2,60,000 Diamond delight
Price:
Rs 2,00,000 Price:
Rs 10,500 Tropical exuberance
Price:
Rs 22,500 Majestic appeal Price:
RS 16,31,000 Tribal trance
Price:
Rs 3,400 Contemporary classic Price on request A touch of tradition
Price:
Rs 7,30,000 Decorative danglers Price:
Rs 5,500 Heritage revisited Designer blend Price on request Exquisite workmanship Price:
Rs 80,000 Zircon magic Carnelian catch Price:
Rs 7,500 Pearl finish Price:
Rs 5,000 |
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PACESETTER
Mahendra Chauhan Historically, watches have always been time-telling devices. But people like Mahendra Chauhan try to reincarnate the same watches every year to adapt to upcoming trends and evolving lifestyles. He is the proud designer of Titan Skeletal Edge which won the Red Dot Award for 2013 in the “Best Product Design of the Year - Watches and Jewellery” category. The award-winning watch is supposed to be the slimmest watch in the universe: clean, contrasting lines and a minimalist vibe. Born and brought up in Bhilai, Chhattisgarh, Mahendra always had a creative inclination which motivated him to take up architecture. He completed Masters in Product Design from NID, Ahmedabad which enhanced his design thinking from a macro to micro level. There he went on to win a “Rado Design Excellence” award. It had the theme of “Time and Creativity.” Since then, he has felt intrigued by time-telling devices. He worked with GE Plastics and TI cycles before joining Titan Industries and as he progressed, he took forth his learning at each level to evolve his design thinking. He has been contributing to Titan for the last seven years and leading the Titan Design team handling brands/sub-brands namely Raga, HTSE, Nebula, Orion, Edge and the core brand Titan itself. Titan gave him the opportunity where he could use his creative designs while applying the understanding of the intricacies of watch mechanisms. He says, “When it comes to designing watches, the thought process should be in microns as compared to architecture where it was in metres. This level of detailing requires micro design thinking to execute into reality.” Mahendra feels the experience of being engaged in this capacity is very gratifying more so “when people use watches designed by me and appreciate them.” Red Dot is a prestigious International Award organised in Germany’s Design Zentrum Nordrhein Wesfalen, since 1955. It is a quality seal and is regarded as an Oscar among the design community. Around 4,662 products, put forth by 1865 manufacturers, were evaluated by the eminent jury panel. Skeletal Edge is the next level of Edge Series launched by Titan. The first Edge watch, launched in 2002, had the slimmest 1.1 mm watch movement. Since then, Edge has seen many avatars. But the current Skeletal Edge is a big leap forward as it is targeted for youth, with minimalistic yet stylish form. The watch has a contemporary see-through skeletal design which complements the minimalistic dial. It is sculpted in Titanium, with a sapphire glass crested top, a transparent back cover and a slim 1.1 mm mechanism all contained within a thickness of 4mm. Mahendra Chauhan is not the one to rest on his laurels yet. “After putting Titan on the world map, I look forward to designing many more interesting products. I have recently designed Ducati collection. It is a collection of four watches which embodies emotions attached with iconic Ducati brand.” He wants to create many more iconic products which challenge him to reach newer heights. Besides, he wants to travel extensively to gain more experience from many international cultures and to embed those as an inspiration for his designs. For people who nurture an inner drive to make a difference in any field, he offers his wisdom in a nutshell — Design begins with sensitivity, curiosity and passion. To excel in any field one needs to be passionate about it, sensitive to the end users and curious about the new things. |
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