The inimitable R.K. Laxman
LONG before I got to know him I had
sensed that Laxman had a touch of the genius. I sent a
story Man How does the Government of India Run? to
the then editor of The Illustrated Weekly of India, C.R.
Mandy. He sent the story to Laxman for a suitable
illustration. Without ever having seen me or my
photograph, Laxman drew a caricature of a Sikh clerk who
was the main character of my story.
It bore a startling
resemblance to me. By then he had established the
reputation of being Indias best cartoonist and most
people took The Times of India because of his
front page cartoons and its last page cross-word puzzle.
The rest of the paper was like any other national daily.
And however distinguished its editors, few people
bothered with the contents of its edit page.
I knew Laxman was the
youngest of R.K. Narayans six brothers. His
illustrations of his brothers short stories put
life into the narrative. And that they were Tamil
Brahmins settled in Mysore. No more. We struck up a close
friendship almost from the first day I took up the
editorship of The Illustrated Weekly of India. I
told him that in my opinion he was the worlds
greatest cartoonist. I meant it because I had lived in
England, the USA and France for many years and seen the
works of their cartoonists. Laxman did not protest: he
evidently agreed with my assessment of his worth. Almost
every other morning he came to my room and asked me to
order coffee for him. He never bothered to ask me if I
was busy. Far from resenting his dropping in unannounced,
I looked forward to the gossip session.
He was as witty a
raconteur of peoples foibles as he was adept in
sketching them on paper. I discovered he was a bit of a
snob and did not deign to talk to the junior staff. My
son Rahul told me once he had run into Laxman at a
cinema. When Laxman discovered that Rahul was not in of
the most expensive seats, he ticked him off.
And while he thought
nothing of wasting my time every other morning, he never
allowed anyone to enter his cabin while he was at work.
He was a great socialiser and could be seen at cocktail
parties of consulates the rich and the famous. He loved
driving through congested streets and gladly accepted my
invitations for drinks and drove all the way from Malabar
Hill where he lived to Colaba, five miles away from my
flat. Unlike his brother who was abstemious, Laxman loved
his Scotch. It had to be of premium quality. He never
returned hospitality. Other characteristics I noticed
about him which he shared with his brother was an
exaggerated respect for money. R.K. Narayan was the doyen
of Indian authors. He drove a hard bargain.
Once when A.I.R. invited
about 10 of Indias top authors to talk about their
work and offered what seemed to be more than adequate
fees, Narayan made it a condition that he should be given
at least one rupee more than the others. Likewise Laxman
and I were asked by Manjushri Khaitan of the B.K. Birla
family to do commemoration volumes on Calcuttas
300th anniversary . We were given five-star
accommodation. I accepted whatever Manjushri offered me
for writing the text. Laxman demanded and got twice as
much. His cartoons sold many more copies than my book.
Underneath the facade of
modesty both Narayan and Laxman conceal enormous
self-esteem and inflated egos. Once again I have to
concede that neither has anything to be modest about.
They are on the top in their respective fields.
It is for these reasons
that I looked forward to reading Laxmans
autobiography The Tunnel of Time (Viking Penguin).
I wanted to learn more about the man I knew. And I hoped
to see what he had to say about our days together in
Bombay and elsewhere. I was disappointed on both counts.
Besides his childhood days in Mysore, which are vividly
described, the rest is simply a narration of his gradual
rise to eminence, his being awarded the Padma Bhushan and
the Magsaysay Award, his travels over the world with his
lovely, ever-smiling wife. About our nine-year friendship
there is not a word.
Laxman admits at the very
outset, "This is not an autobiography in the usual
sense." It certainly is not. An autobiography should
tell the whole truth about a person. This does not. In
passing he mentions that as customary among some Tamil
Brahmins, he married his sisters daughter. She
became a well-known Bharatanatyam dancer. He doesnt
tell us why the marriage came apart. One of his
sisters husband in the I.C.S. was dismissed from
service on charges of corruption and sent to jail. Laxman
has nothing to say about it. In an autobiography you must
bring skeletons out of the family cupboard.
Having said that I did
find things about Laxmans life I did not know
about. He was born a cartoonist and started drawing from
the age of three. He was a poor student and often failed
his examinations. He was refused admission to the J.J.
School of Arts, Bombay, where later he was invited to be
the guest of honour. He tells of his fetish for drawing
Ganapati and crows. (I have one given by him). He
describes them "the best among birds" and
thinks they can count up to seven. He is wrong; they
cant count beyond three.
Laxman loves Bombay, hates
Delhi. He writes: "I found it difficult to adjust to
Delhi. A mournful atmosphere pervaded the whole city. The
trees lining the broad avenues stood at cheerless
attention, like regimented soldiers. I was accustomed to
Mysores trees, which had personality and
individuality, whimsical branches, varieties of colour.
But most of the trees in Delhi lacked charm. Even the
residential houses seemed impersonal and cold, perhaps
due to the fact that they were government quarters and
therefore lacked the warmth of homeliness. These were my
reactions in the early days after my arrival at Delhi
when I used to wander about alone pondering and
reflecting over my observations."
Understandably Laxman
detests politicians: they are the ones he loves to
lampoon. He writes: "Largely politics was the
profession of school drop-outs; I observed that
politicians were endowed with immense vitality but little
intelligence. Stretching out in the aircrafts
comfortable seat, I speculated that politicians were the
most durable among the human species. They were tough,
impervious to humiliation, failure, defeat, insults,
shocks. They led a conscience-free existence, hungering
eternally for power even when charged with corruption,
fraud and murder! For all the travelling they did all
over the subcontinent, eating and sleeping at odd hours
and shouting themselves hoarse in front of a battery of
microphones in heat and dust and subzero temperatures,
they never suffered from cold, sore throat, fever or any
such maladies that afflicted the common citizen. Thus I
mused critically, judging, making uncharitable, abusive
mental notes about the very people who just by being
themselves, had generously provided me with bread and
butter and brought me rewards and fame. I did not have to
study their faces any more or read their pretentious
speeches."
Laxmans current
fascination is his grand daughter: "Kutila, that is
Mahalaxmi, otherwise known as Baby, Rani, Papu, Remanika,
Sweety, Doll."
R.K. Laxman is the pillar
that sustains The Times of India. Editors come and
go: the Jains who own the paper, hire and fire them as
they hire and fire their menial staff. They now fill
their paper with homilies about religion and scriptures.
The one-time most challenging cross-word puzzle has been
replaced by some American junk. The day Laxmans
cartoons stop appearing on its front pages, its decline
from being the widest circulating paper in India will
begin. And Indians who start their day with a smile
because of Laxmans cartoons will have nothing left
to smile about.
Clinton
speaking
I am the President of U.S.A.
And why should you bother if I am a little gay?
On my shoulders lies the burden of the globe
So what if the secrets of a staffers body
Sometimes I probe
I am not a cow-boy, on oath I say
I am a truthful man, not guilty of perjury
Let the asses bray as they may
I have on my side, my wife, Hillary,
And finally, this is my plea:
It was she who had an affair with me
I had nothing to do with Lewinsky.
(Contributed by Kuldip
Salil, Delhi).

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