Saturday, January 20, 2001 |
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There is much more to
Gurdip than his being an illustrator of books for schoolchildren. From
promoting art as chief artist of the Punjab School Education Board, to
being an art historian and a creative artist, he has covered a long
journey as a promising exponent of various art forms — surrealistic,
realistic and semi-abstract. His dedication and devotion to art during a
period spanning three decades has been a source of inspiration for those
artists who have taken to semi-abstract and realistic art forms. |
Mountains and rivers, from which he says he derives strength and inspiration, have always held deep fascination for him. Gurdip has an original approach to classical as well as modern art. It is significant to note that the emotions and experiences of young people find place in his compositions. His paintings cover an entire gamut of moods that range from the romantic to the stoic, dwelling on the stresses and strains of modern life. He feels that society puts too many restrictions on youth in matters of love. Some of their dreams are realised but most of them get shattered and loneliness engulfs them. In most of his works, he also explores the close relationship between human beings, animals and birds. Elephants, tigers, horses, hawks, eagles, sparrows, pigeons, peacocks and swans, therefore, serve as handy subjects around whom he pegs his thoughts and ideas. In his lexicon, the tiger terrorises and destroys romance and dreams of young couples. Horses mean muscle power and life force. In one of his paintings a helpless youth is shown gazing at a large bird in hope and despair.
An admirer of modern paintings and
artists like Van Gogh, Gurdip himself prefers to follow his own path. He
feels that India might not be a rich country materially but it has a
rich culture. He says that more and more young Indian artists are taking
to copying the western art form. They should stick to their
5,000-year-old ancient art form, he suggests.
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