Chandigarh, September 2
A discussion on the contents of writer-director Atmajit’s play, Main taan ikk sarangi haan, which was staged in the city about a fortnight ago, was held at the Punjab Kala Bhavan, Sector 16, here today.
Those who took part in the discussion included, Dr Sukhdev Singh Sirsa, Sardar Gursharan Singh, Gulzar Singh Sandhu, Shabdish, N.S. Rattan, Dr Kuldip Puri, Harvinder Singh and Dr Sahib Singh. The deliberation, which went on for over about three hours, was presided over by Dr Prem Singh.
The main paper came from Dr Sukhdev Singh Sirsa, who spoke about the various levels of portrayal in Atmajit’s play. He said that the script had the power of poignant portrayal of women’s plight in a predominantly man’s world. “Keeping heterogenous relationships is just one of the manifestations of frustration which male dominance begets,” he suggested. The urge to break free is impending all the time, but social taboos keep the woman from doing so. Dr Sirsa talked about how the feeling of being stifled all the time leads to mental hang-ups among women. He also saw the play in the backdrop
of economy which plays a very important role in determining relationships in the society.
Sardar Gursharan Singh was, however, seemingly irked over the manner in which the playwright had gone about “glorifying certain “unnatural” ties. In his opinion, any attempt at lauding any such ties would only lead to causing moral chaos in the society. “As a theatre man, one should take care not to stamp such tendencies lest the society should get a lead. He has all the right to make a point, but, as conscience keeper of the society, he is obliged to strike a balance, he said.
Gulzar Singh Sandhu was for imbibing the element of simplicity in the script. He said, “Atmajit’s play operates at various levels and hence weaves a complicated scenario. The play can also make a point by being simple in approach and by operating on singular level”.
Shabdish was not satisfied with the characters which, he said, did no justice to the folklore employed by the writer to put his theme across. “The characters did not help the story,” he said. As for N.S. Rattan, the title of the play was not too well-suited. “It’s more of a nomenclature,” he said, adding that the title is misleading as it does not convey the real meaning of sarangi. “One cannot make out if the sarangi is to be used as a metaphor alone or is it to be used in some other sense,” he said. Dr Sahib Singh said the male should not have been shown to be villainous in entire play. “There should have been some kind of a poise,” he said.
However, female speakers spoke in favour of the script and its treatment.
Winding up the discussion which blended the positive parts of Atmajit’s play with the negative vibes it must have left, was Atmajit himself. He stated that his play might not have got a big audience, but viewership was not an essential yardstick of success of the a play.