Ludhiana, January 23
Sitar recital by Padmabhushan Debu Choudhary along with his son, Prateek, and tabla accompanist, Sumitra Mitra, weaved magical spell of music which made the students of DAV School forget the discomfort of sitting on bare and cold floor of the auditorium. The trio gave a performance in the morning hours in the school auditorium. The artistes performed under the aegis of SPIC MACAY (Society for promotion of Indian classical music and culture among youth).
The society is celebrating its silver jubilee year. For the first time the Ludhiana chapter has arranged performances by some noted artistes independently of its parent body, not only to play in the city, but also in new chapters like Nawanshahr, Mukundpur, Sidhwam Khurd, Gursur Sudhar and Khanna. The chapter has been active for the past 20 years in organising concerts in various educational institutions.
Pandit Debu Choudhary interacted with the students before he started his performance. He asked them whether they knew the names of ‘ragas’. Then he asked them whether they were familiar with the basic seven notes of music sa, re, ga, ma etc. He sang along with the students the seven notes to get them in the right mood.
Then to give them an idea of ‘ragas’, he asked the students to stand up and sing the National Anthem. Then he sang the notations of the Anthem to make them aware that basics of songs were the seven notes. Similarly, he demonstrated that many popular film songs were also based on ‘ragas’. He said ‘swar’ and ‘laye’ made a ‘raga’. He did not stop till the students learnt where to clap when Sumitra Rao played ‘teen taal’. Repeatedly, he made the students to clap at numbers one, five and 13 to know about this ‘taal’. The students enjoyed the experience and got a hang of clapping at the right numbers after many of false try. Thus they were initiated into classical music.
The students did learn about ‘ragas’ and ‘taal’ in this manner. He told the students that his aim of performing for SPIC MACAY before the students was to develop in their hearts a regard for traditional performing arts. He said, “Indian music can be improvised by artistes at different performances. It has certain ‘ragas’ which are ment to be played at different times during the day. No other music in the world has this tradition.”
He and his son Prateek started with ‘raag Bilawal’, a morning ‘raga’. Meticulously, trained and guided by his father, Prateek played in a graceful style. The intricate techniques used by the father and son delighted the audience. From their nimble fingers, rich tones and melodious phrases resonated. Their skillful fingers handled rapidly moving passages with ease while maintaining the integrity and beauty of every note. Later Prateek played a ‘bhajan’.