Saturday, July 20, 2002 |
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When Puranchand and Pyarelal Wadali render Punjabi Sufi music, they take you to a mystical plane. A narrative in their typical style interspersed with Punjabi pronunciation, may not be everyone’s cup of tea but provides you the satisfaction of being close to your roots. The music presented in
this album was recorded live on December 2, 2000, at Swar Utsav, a
concert held at Central Park, Delhi, and retains all the earthy charm
of their mastery. They sing two verses of Baba Bulleh Shah, one
of Baba Shah Hussain and the immortal Damadam Mast Qalandar of
Shahbaz Qalandar. Music is traditional and orchestration minimal, with
alaaps and taans dominating. |
Aaye Hain Woh Mazar Pe
Ghoonghat Utar Ke
Haji Maqool Sabri and Haji Mehmood Sabri are a respected name in the world of qawalis. Here they present four qawalis in an unalloyed form. The cassette calls these "Sufiyana qawalis", although the fact is that only one of the four, Yeh masti yaar Qalandar Ki …, qualifies to be called Sufiyana. Lyrics of Aaye hain who mazar pe ghoonghat utar ke… by Qamar Jalalvi are typically romantic and this is the sort of stuff for which qawalis are known. Hum musafir bade dilwale, hum na dekhen na gore na kale… has been written by Mehmood Sabri himself. Dil Hai Tumhaara
A notable feature is that all singles have been rendered by newcomers. While Betaabi kaa… has been sung by Sarika Kapoor, Tauseef Akhtar has lent his voice to Kabhi hansna hain kabhi rona hai… Shaan had greatly improved as a singer, if one goes by Chhaya hai jo dil … His co-singer here is Kavita Krishnamurthy. The title song by Alka Yagnik, Kumar Sanu and Udit Narayan is the best of the lot. Sameer is making a name for himself as the Anand Bakshi of this decade. — ASC
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