Chandigarh, August 13
As a celebrated vocalist of Agra Gharana, Pandit Yashpaul has created a vast repertoire of compositions that stand out not only for a remarkable rhythmic power but also for their simplified base. Known more for his innovations in the system of music education and less for his public appearances, Pandit Yashpaul has always been contented with the way life has treated him.
His only grouse over the years has been that the Punjab Government never really regarded him for his contribution to the structure of Agra Gharana and promotion of music consciousness in this part of the region.
Now as the Punjab Government has decided to award him the prestigious Samman Patra for his unstinted efforts in preserving the Hindustani classical vocal tradition, Pandit Yashpaul is exhilarated. Today, ahead of the award ceremony to be held at Kapurthala on August 15, Pt Yashpaul said the government had finally woken up to his existence.
Especially recognised for his khayal singing,
international perfection, intuitive insight, creative vitality and the purity of the raga, Pt Yashpaul is famous also for his raga vistaar. He has composed over 300 original pieces based on the original structure of the raga. He has also created ragas under the pen name of Sagun Piya. The lyrics of his compositions are based on love, nature, relationships, devotion and philosophy.
He said: “After 45 years of labour that went into promoting music in this region, I always wondered why the government had never thought it proper to notice me. Besides having a teaching career that spans 45 years, I have also been under the tutelage of doyens of Agra Gharana like Ustad Vilayat Hussain Khan and Ustad Yunus Hussain Khan. I imbibed and promoted music all my life. Even as days passed, no recognition came my way. Not that my musical journey was hampered by this dismissal, but I used to feel frustrated at times. I am happy after this award not only for myself but also for my gurus, who gave me the gift of music.”
After retiring as Head of the Department of Music, Panjab University, Chandigarh, in 1997, Pt Yashpaul has been teaching the nuances of Agra Gharana to his disciples. Incidentally, this is his sole means of livelihood now. Says the vocalist: “When I came to Chandigarh in 1962, there was no conspicuous
musical consciousness. There were some admirers, but they were scattered over vast areas. I got them all together under the aegis of Swar Sangam. I used to organise music conferences and concerts so as to introduce Punjab, Haryana and Chandigarh to the rich musical legacy we possessed. My forte was Agra Gharana in which I went on to create my own pieces.” Pt Yashpaul’s devotion as a teacher has resulted in one of his students being awarded with the prestigious Sangeet Natak Akademi Award by the President on July 6. That’s not the end of the road for this vocalist, who is guarding the Agra tradition. As he says: “I wish success to many more disciples.”