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Saturday, March 27, 2004 |
MUSIC ZONE
Jones’ Texas-twanged vocals and her light acoustic and electric Wurlitzer piano lines enliven the album’s 13 tracks, from the light and lively single, Sunrise to Tom Waits’ The Long Way Home. One of the few displays of her instrumental skills is the album’s closer, Don’t Miss You at All, where Jones has added her own soulful lyrics to a dark Duke Ellington instrumental, Melancholia. Beautifully produced and beautifully crafted, this album fits the bill perfectly. Best track: Sunrise Worst track: The Prettiest Thing Simon & Garfunkel —
Two Can Dream Alone
Touching upon the duo’s original unreleased and rare tracks, this sterling collection brings together a bunch of essential tracks including their solo efforts. Following the duo’s recent reunion, the compilation includes prominent efforts like Dream Alone, Just A Boy, It Means A Lot To Me, Flame, Teenage Fool and Simon Says. There have been other Simon & Garfunkel collections over the years, but few carry this condensed punch. Best track: Our Song Misfit: True or False Rating: *** Grammy Nominees 2004 —
Various Artists
Grammy Nominees 2004 is a great way for anyone feeling lost amidst an unfamiliar music scene to decide for themselves exactly what’s special about the year’s biggest sellers. Rating: *** Evanescence — Fallen (Wind Up) The winner in the New Artist Category Grammy Award 2004, Evanescence’s sound include industrial inflections, clean vocals, orchestra instruments, piano and choirs. Their lyrics are poetic, sorrowful, and, at times, spiritual. The most brilliant of their stunning cuts include the powerful Bring Me To Life, Hello, the mournful Haunted, Going Under, and the dreadful beauty of My Last Breath. The band’s prominent member is unmistakably Amy Lee. Best track: My
Immortal Worst track: Going Under
This feature was published on March 6, 2004 |