| TELEVISTA
 Highs and lows of Holi
 Amita Malik
 
                  
                    |  Amita Malik
 |  Indian
                festivals are
                colourful and joyous, but they can be dangerous. Holi last week
                has left its trail of car and other accidents arising from
                people getting inebriated as part of the celebrations. Divali
                has its share of children getting injured with fireworks. Even
                visits to temples can become dangerous when panic leads to
                stampedes. But all this does not prevent people of this
                festival-happy nation from enjoying themselves. For the poor, in
                particular, it is an occasion to have fun without getting out of
                pocket. Radio and television channels find festivals a
                heaven-sent opportunity to break the monotony of news, films and
                sport. 
                  
                    |  Youngsters seldom take precautions while celebrating festivals... be it Holi or Divali
 |  Let us not
                forget politics. L.K. Advani visiting Sonia Gandhi with his wife
                to offer Holi greetings made the best of both worlds. As usual,
                Lalu Prasad Yadav was in his element in his home town Patna,
                getting smeared and smearing everyone in sight, and even
                indulging in the ancient Holi sport of kapra phaar
                (tearing the clothes). Again, how we enjoyed the sight of women
                of Mathura beating up their men in their annual moment of
                freedom. It was near enough to International Women's Day to make
                a point. But as I said,
                festivals can be dangerous and, as usual, it was young men
                driving cars, in one instance a young man driving his
                grandmother to a temple, who lost their lives tragically. Both
                newspapers and TV screens gave us our fill of horror
                photographs, showing the mangled remains of cars and
                three-wheelers. One would like these horrific visuals to give a
                lesson to people to avoid driving while under the influence of
                liquor. But it usually is a case of "I am quite
                sober", like that advertisement we see on the screen; the
                other famous last words being: "It happens to others but
                not to me". So our Holi
                weekend on the media became, as usual, a mixture of joy and
                sorrow. Crime of passion also dominated the week's viewing. A
                young man in Bangalore, a talented Infosys employee, suspecting
                his wife of infidelity, smothered her to death and then hung
                himself. The Scarlett Keeling affair continues to drag on with
                unending twists and turns. Was there nothing, really nothing to
                catch our interest for healthier reasons? For this
                columnist, and I dare say to all of my generation and film buffs
                of all generations, the long documentary on actress Merle
                Oberon, made by Australian television with inputs from other
                networks, made for fascinating viewing. I mentioned my
                generation because it was well known to us at the time that
                Merle Oberon was really Queenie Thomson, born an illegitimate
                child to a Chinese mother, who had her roots very much in India,
                notably Kolkata and Mumbai, and her pretensions of being a
                Tasmanian fooled nobody except herself. There was, for
                instance, her uncle in Mumbai, proudly telling his neighbours
                that Queenie was really his niece. Her sexy slanting eyes, a
                large part of her stunning beauty, was a part of her Chinese
                mother's heritage. But as we followed the extraordinary story of
                her life, from humble beginnings to top stardom, much of it
                connected with India, including her early stint in Kolkata as
                Queenie Thomson, we could at least take pride in the fact that
                she originated in India, even if her film, Bhowani Junction,was
                one of her least successful ones. The last irony was how, to
                prove her antecedents, she made a cursory visit to Tasmania at
                the fag-end of her life to show her mythical origin there, and
                how it simply did not work, because no one remembered her. 
                
                  
 
 
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