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The copy sits in a dimly-lit room awaiting the finishing touches of a two-year restoration, during which its true origin was revealed. Curators decided it needed a face-lift because it was going on loan to the Louvre in March. Following X-ray and infrared studies, they were surprised to find a landscape hidden beneath the dark paint behind the subject, according to the newspaper. Conservators believe the artist could be Francesco Melzi, one of Leonardo’s favourite pupils. "When you look at the copy, you can imagine that this is what the ‘Mona Lisa’ looked like in the 16th century," Finaldi said. The ‘Mona Lisa’ is widely believed to be a portrait of Lisa Gherardini, a Florentine merchant’s wife, and the copy makes her look younger and more seductive. Miguel Falomir, chief conservator for renaissance painting, said: "When the X-ray revealed the landscape, we saw it was in absolutely extraordinary condition." "It was the most surprising thing to emerge in the conservation workshop in the 14 years I’ve been at the Prado." The copy has belonged to the museum at least since the 1666, first as part of the royal collection and then as a state treasure. It was first thought to have been produced by a Flemish hand after da Vinci’s death. Then it was believed to be a later Italian copy. The Art Newspaper, which first published the remarkable discovery, said: "This will transform our understanding of the world’s most famous picture." — IANS
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