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"Daryaganj is filled with people essentially from the lower middle and working class where most residents, Hindu and Muslim lead almost a hand-to-mouth existence. So, their children are not kidnapped for ransom. Nor do they just walk away on their own. They do not simply vanish in thin air. They are kidnapped as the major source for trafficking which spans a large chain of operators in connivance with the police. I have tried to bring this across in the film because the poor are victimised not only by their ignorance and their poverty but most importantly, by police apathy and by an establishment that does not have a monitoring system in place," says Vivek.
The mother of a missing child beats herself everyday with her slippers in the hope that this self-punishment will reward her with the return of her missing child. Another mother says that she keeps visiting dargahs and masjids across the city but does not have any idea about whether her missing girl will be found or not. "The police do not help us and tell us to fend for ourselves," says a father who sticks posters of his missing boy on tree trunks and outside shops. "There is a certainty when a child dies. But when a child goes missing, the uncertainty is killing," he adds. "The film was triggered by a sense of guilt and shame within me. A few years ago, I had found a crying child at a Delhi bus stop. She was too small and too terrified to answer my simple questions about her parents, her address, etc. Not knowing what to do, I handed her over to a policeman. But till date, I have no idea about whether the police traced her roots and took her back to her parents or sent her back to the streets. I should have followed the case myself knowing that the police functions irresponsibly in these cases. But should I not have shown more responsibility?" he asks rhetorically.
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