Film: Ek Villain Returns
Director: Mohit Suri
Cast: John Abraham, Arjun Kapoor, Disha Patani, Tara Sutaria
Mona
Ek Villain has returned. It comes from the same stable – Mohit Suri gets back on the director’s chair, Ekta and Shobha Kapoor retain the producers’ place, while Bhushan Kumar and Krishan Kumar join the team. The plot remains the same: a serial killer with a mask, who targets women.
The story opens with a spoilt brat Gautam Mehra (Arjun Kapoor) carrying on with his dialogue kamane wala mera dad, udane wala beta bad and histrionics. In comes a wanna-be singer Aarvi Malhotra (Tara Sutaria). The duo fights and then makes up, and then fights. Meanwhile, 15 girls have been murdered by a serial killer, who is considered to be dil tute ashiqon ka masiha, leaving no evidence, no trace. This killer wears a mask a la Joker.
Only, it’s a yellow smiley! The police force is after the killer, Gautam being the masked killer being the stance. But before the interval, it is revealed that it’s a taxi driver Bhairav Purohit (John Abraham), who has been behind the mask and the killings.
After the interval, the plot reinvents itself a few times, only to confuse viewers further! When not killing, Bhairav also tries to win gold-digger Rasika (Disha Patani).While one may enjoy a twist, others serve no purpose whatsoever.
Sound design of the film is good as is the cinematography. Action sequences are shot well. But whosoever thought of casting John Abraham as a taxi driver, kudos to him or her!
In fact, Arjun Kapoor plays the part coming his way. Disha Patani gets some extended screen time in the second half and does what the role written for her demands — flummoxing the viewers! Tara Sutaria gets some scenes in the beginning. One notices actors Shaad Ali and JD Chakravarthy as cops trying to do their duty, but are drowned in the din without a trace.
And, what fails? Well, the film, and we found the real villain – it’s the plot! Goes without saying and yet needs to be said - weak direction. Unfortunately, this franchise outing, if you may call it that, neither takes the story nor the music any further.
