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C O M P E N D I U M Friday, June 25, 1999 |
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Chandigarh, June 24 As part of its Thursday cultural evening, Punjab Sangeet Natak Akademi today presented a Punjabi play, 'Sabton Udas Kavita' . The play was staged by the Lok Kala Manch, Mullanpur. A translation of Swadesh Deepak's Hindi play by the same name, today's production was directed by Harkesh Chaudhary. For the huge city audience, it was an experience to witness the village artistes present the problems of the 'ruler' and the 'ruled'. Set in an adivasi village, 'Sabton....' is a story of how a young woman journalist sows the seeds of awakening among the village folk and forms an army of Naxalites to fight the oppressors of society. The story of the Naxalite movement also involved a subtle love story between the journalist and a doctor, which in no way clashed with the tale of how a village resists violence on innocent people by the police force, by resorting to violence themselves. Kamal Preet Kaur, as Apporva, the journalist, dressed in a khadi kurta and jeans, looked every bit a Communist geared to fight for the cause of the right. In fact, it was interesting to watch most of the artists spewing forth rhetoric about the justness of living a truthful, even if a dangerous life. For most of them the dialogues, though cliched, seemed to come straight from the heart. The beauty of theatre which is alive and kicking at the grass-root levels, even with garish sets and deafening music, is that most such productions are devoid of any affectations. And maybe that is why they manage to elicit a thunderous applause from the audience. The rest of the cast included Surinder, Harinder Singh and Rajesh Kumar. Song, dance mark end Chandigarh, June 24 The Pracheen Kala Kendra, Sector 35, today held the concluding function of its month-long summer workshop of theatre, arts and dance at the Tagore Theatre. A vibrantly colourful function, in which over 140 students took part, was a demonstration of all the singing-dancing skills acquired by the five to 16 year olds in the workshop. Today's programme began with 'saraswati vandana', in which 39 children welcomed the huge audience that consisted primarily of the parents of the kids on the stage. This was followed by a solo performance by three-year-old Nikhar and then by kathak and Manipuri dances. The dances were choreographed by Anuradha Arora. More than the performers on the stage, the over-enthusiastic sets of parents were worth watching, who were not only busy in 'clicking' and 'shooting' their kids but were also egging and cheering them on throughout the performances ! The first play of the evening was 'A Fat Cat' featuring cute little tiny tots who tell the story of a fat cat who is too fat to even catch the rats. This hilarious tale then dwelled on how this fat, but well-read, cat goes to Mumbai and comes across a running train only to mistake it for a monster and runs back to the jungle. 'A Fat Cat' was directed by Jaspal Deol. This production was followed by 'Khadiya Ka Ghera', based on Bertolt Brecht's 'Caucasian Chalk Circle', and directed by Rajesh Rajpal. The much seen and read play was presented in a delightful manner by the kids, in the form of song and dance. The final production of the day, 'Mano Ya Na Mano', directed by Munisha Mahajan, revolved around a child's fantasy who imagines that he owns a red elephant with whom he can chat and play. This enchanting play went down very well with the audience. Later, prizes to the children were distributed by Mr Kamleshwar Sinha, Associate Editor of The Tribune, who while lauding the efforts of Pracheen Kala Kendra in spreading happiness and joy through such workshops, added that it was very essential to introduce children to the various forms of art. This introduction, he added, would help secure our tomorrow because such children would definitely turn out to be better human beings. No beauty in the woman CHANDIGARH: A female form and a parrot are the two main characters of the paintings of Ambalicka Jacob. In her 35 frames displayed as The Abode of Kama Devta she has dealt with the relationship of man and woman and its complexities. Here the parrot has been symbolically used as the vahan of desire. The woman depicted might be romantic and full of passion but there seems to be no beauty in her. The compositions leave much to be desired, there is no proportion in her works. Besides, there is not much to talk about regarding the colour combinations. Using primary colours she has made red to dominate. Apart from paintings there is a section of computer graphics also where the compositions are better off. Just one or two creations stand out amongst the lot. The exhibition will be
open at Punjab Arts Council, Punjab Lalit Kala Academy
till June 29. |
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