Ludhiana, November 26
The staging of the play, “Bullah”, by Ajoka Theatre of Pakistan at Guru Nanak Bhavan last night was powerful and tugged at emotions. “Bullah” took the audience to the times of Bulle Shah some 250 years ago when both Punjab was undivided. It was an emotional journey for viewers who could identify with the performers. The nuances of the play, its flavour, and the feeling of oneness with the performers resulted in an overwhelming response and the audience gave a standing ovation to the cast.
The play was brought to the city by the efforts of the Punjab Sahitya Akademi and Media Artistes. Mr Surjit Patar, president of the Akademi, compered the show. The play begins with the body of Bulle Shah being taken to the graveyard by his followers Sona and Chandi and Muradi Begum. But the mullahs of Kasur refuse to allow his burial as there are charges of religious disobedience against him.
The story unfolds in the
flashback. His followers take the body back and bury it outside the city. His grave is in the centre of the city of Kasur. His followers said it would be the verdict of history and the proof of the power of mystics who preached love while the other so-called powerful people would be forgotten .
The play highlighted the downfall of the Mughal empire, characterised by rebellions, civil and religious strife and political chaos, Through music, too the Mughal period came alive.
Bulle Shah in those troubled times was a beacon of hope and humanism. His journey takes him to the graves of Tansen and a nautch girl to learn singing and dancing. The death of his teacher, Shah Inayat, breaks him but makes his voice more powerful against those committing injustice in the name of religion. He promotes a relationship with God that was non-oppressive and enabled the people to be religious and yet respect other people’s beliefs. He attracted “fatwa”.
There was no dearth of dramatic episodes in the life of Bulle Shah. His search for truth, devotion to his mentor, and opposition to bloodshed in the name of religion - are incorporated in the play.
Bulle Shah is not just a period play. It is the celebration of the rich and vibrant culture of Punjab. The qawwals were excellent, so much so, that singer Jasbir Jassi complimented them. The music was composed by Mian Shaharyar. Uzra Apa, who turned 86 recently, choreographed the play. The play is written by Shahid Nadeem and directed by Madeeha Nadeem. Aqeel Kazmi, of the National College of Art, Lahore, said sets belonged to the Mughal period and used Shahjahani arches.
Sarfaraz Ansari’s performance as Bullah was par excellence. All actors and the lone female artiste Rukhsana Khan, gave superlative performances.
Inspite of such an amazing play, Ludhianvis proved that they
don't have the patience for theatre. Organisers had requested the audience to switch off mobiles, take away crying babies and photographers not to use flashlight but the instructions were flouted with impunity.