Are celebrity icons
puppets in the hands of promoters?
THE twentyfourth day of April was not only a big day in the life of cricketer Sachin Tendulkar—he turned 30 on that day—but it was also a milestone in the marketing industry of India. Like never before, television channels and newspapers fought with each other to give time and space to stories generating from every source and person who’s ever knew the master blaster. Nostalgic photographs from the personal albums cherished by relatives and friends appeared everywhere. His romantic marriage to Anjali, a beautiful half-European-half-Indian paediatrician from a prominent, rich family of Mumbai, and details about his wonderful children, Sara and Arjun, were described in great detail. All in all, Tendulkar was portrayed as an icon, who could do no wrong.
Side by side, however, the
media also published reports — rather sheepishly — that Sachin had
not only asked the then Union Minister Pramod Mahajan for a waiver of
the duty of Rs 1.5 crore on the Ferrari he wanted to import (it is
already reported that Tendulkar has at least six of the priciest cars
parked outside his sparkling new, opulent home in suburban Mumbai) but
that now he had proceeded to ask the Government of Maharashtra to give
him a government-subsidised seaside plot for building a bungalow in
Mumbai. To coincide with his 30th birthday, news was also published that
he is one of the richest Indians and owns personal wealth amounting to
billions of rupees.
Though sachin Tendulkar was the main icon in the past few months of the World Cup, other icons have also had the same treatment. When Sourav Ganguly and Hrithik Roshan were riding a huge wave of popularity, we created the Hero Honda campaign," says Vinita Bangard of Percept D’Mark, "We worked with Kareena Kapoor and Shah Rukh Khan for the Airtel campaign when they made Asoka... If celebrities, especially from the film or sports world, are in the news or in gossip columns for any reason, they are just the right fodder for the marketing industry for endorsements...
According to marketing gurus, Sachin Tendulkar and Amitabh Bachchan continue to be the strongest brands in the Indian market. Aishwarya Rai comes next with her international success in Devdas... Her endorsements for diamonds, beauty products, soft drinks, film rolls and now her international contract with Garnier — for their range of Asian beauty products — have made her the numero uno female icon in India. News that she may be the next Bond girl has increased her brand value even more."
The hunger for icons from India is spreading internationally like an epidemic. This is why there are so many events and shows featuring stars, artists and sportsmen in western countries, Australia and New Zealand. It is a known fact that many iconic celebrities earn more money from their endorsement contracts and appearances than from their main profession. Most icons charge money even to appear at charity functions. Critics of these get-rich-quick expeditions of the marketing industry and celebrities say that manipulations of the brand value of icons sometimes dip to crass, uncouth levels. None of the celebrities — who are ‘used’ for everyone’s benefit — give anything back to society or the country in return for the adulation and love, which millions give them without reserve. It is a pity, they say, that the love of innocent admirers is used for making fast bucks for manufacturers of luxury goods, promoters, advertisers and the narcissistic celebrities themselves.
But as in all cases, there is a flip side to this scintillating coin of glory. Celebrities and icons, who are built up relentlessly by the promoters and the media, can fall from grace as quickly as they can climb the ladder of popularity. And no other example illustrates this point better than the case of the erstwhile ‘heartthrob’ of Indians, Hrithik Roshan. The media, the advertisers and the promoters — all have dumped him mercilessly in the past two years, during which he could not notch up even one successful film. The coming into limelight of moderate-bodied heroes like John Abraham and Dino Morea and of course the tidal-wave popularity of Vivek Oberoi, have made his sort of macho body with a gentle mind out of fashion. His honey and chocolate looks, with a body built like a wrestler, do no good to the genre of films which are popular right now. So what happens? Even Coca Cola, the largest spender in the advertising market, which pursued him relentlessly for dates and agreed that his father would direct the films, unceremoniously cuts his contract in favour of the current icon Vivek Oberoi, giving some lame excuse for their action. It is reported that Hrithik had to return Rs 9 crore to Coca Cola from the money he was paid against his endorsements. Hrithik’s ad for Hero Honda is also off television screens. Female stars who used to do soap, cosmetic or household appliances endorsements, have paled into insignificance compared to Aishwarya Rai. Similarly, though Sourav Ganguly, Virendra Sehwag and Rahul Dravid played excellently in the recent World Cup, their brand value has not been as high as that of Tendulkar. The result? They have only done small endorsements for comparatively small money!
Advertising and marketing
are heartless businesses where nobody is nobody’s friend. Loyalty is
shown only to the share of the kitty, which comes to each partner of the
‘icon-creating’ machinery. If the money roles in, there is respect
and recognition. When the cash flow dries up, so does the emotional hype
created around a celebrity!