TrendingVideosIndia
Opinions | CommentEditorialsThe MiddleLetters to the EditorReflections
UPSC | Exam ScheduleExam Mentor
State | Himachal PradeshPunjabJammu & KashmirHaryanaChhattisgarhMadhya PradeshRajasthanUttarakhandUttar Pradesh
City | ChandigarhAmritsarJalandharLudhianaDelhiPatialaBathindaShaharnama
World | ChinaUnited StatesPakistan
Diaspora
Features | The Tribune ScienceTime CapsuleSpectrumIn-DepthTravelFood
Business | My MoneyAutoZone
News Columns | Straight DriveCanada CallingLondon LetterKashmir AngleJammu JournalInside the CapitalHimachal CallingHill View
Don't Miss
Advertisement

On a high note

Vocal recital by Vani Rao & sitar recital by Soumen Bhattacharjee captivate Chandigarh audience

Unlock Exclusive Insights with The Tribune Premium

Take your experience further with Premium access. Thought-provoking Opinions, Expert Analysis, In-depth Insights and other Member Only Benefits
Yearly Premium ₹999 ₹349/Year
Yearly Premium $49 $24.99/Year
Advertisement

Music lovers of the tricity were treated to captivating performances by classical vocalist Vani Rao and sitar player Soumen Bhattacharjee on the concluding day of 300th Monthly Baithak programme organised by Pracheen Kala Kendra.

Advertisement

AVISHEK DEY

Vani, a versatile artiste from Bhopal, started the programme with melodic Rag Madhuwanti with traditional alaap followed by a Vilambit composition set to ek taal with bols — Vayakul man mero. Another Drut composition, Jiyara lubhaye man lalchaye, also won the hearts of the listeners. Vani concluded the programme with Devi Raagmala, which complemented the occasion of Durga Ashtmi. She was accompanied by Chandigarh-based Mehmood Khan on the tabla and Pt Damodar Rao on the harmonium.

Advertisement

After this soulful performance, Chandigarh-based artiste Soumen Bhattacharjee took to the stage for his sitar recital. He commenced his programme with Rag Konsi Kanhra elaborated with the quiet dignity of the methodical and reposeful alap followed by Jod jhala. He presented compositions in Vilambit laya followed by Madhay laya composition in ek taal. Then he doled out with fast tempo composition in teen taal. His concluding dhun was well received by the audience. He was accompanied by Siddharth Chatterjee on the tabla.

Advertisement
Show comments
Advertisement