Colour would have been so distracting, made it more a National Geographic kind of project than a moving story, says Subhadra Mahajan, director-writer of Second Chance, on her decision to shoot the film in black and white
Thought-provoking Opinions, Expert Analysis, In-depth Insights and other Member Only Benefits
Yearly Premium
₹999
₹349/Year
Enjoy premium journalism for less than ₹1/dayUnlock exclusive stories and in-depth reportsGet sharp opinions and expert analysis that matterRead without interruptions—ad-free on web and appReceive curated daily news briefs in your inboxFreedom to cancel your subscription anytimeUnlock 2 Bonus Months with an Annual Plan
Yearly Premium
$49
$24.99/Year
Enjoy premium journalism at $2/monthUnlock exclusive stories and in-depth reportsGet sharp opinions and expert analysis that matterRead without interruptions—ad-free on web and appReceive curated daily news briefs in your inboxFreedom to cancel your subscription anytimeUnlock 2 Bonus Months with an Annual Plan