TrendingVideosIndia
Opinions | CommentEditorialsThe MiddleLetters to the EditorReflections
UPSC | Exam ScheduleExam Mentor
State | Himachal PradeshPunjabJammu & KashmirHaryanaChhattisgarhMadhya PradeshRajasthanUttarakhandUttar Pradesh
City | ChandigarhAmritsarJalandharLudhianaDelhiPatialaBathindaShaharnama
World | ChinaUnited StatesPakistan
Diaspora
Features | The Tribune ScienceTime CapsuleSpectrumIn-DepthTravelFood
Business | My MoneyAutoZone
News Columns | Straight DriveCanada CallingLondon LetterKashmir AngleJammu JournalInside the CapitalHimachal CallingHill View
Don't Miss
Advertisement

Theatre group brings Gogol's play to life

Unlock Exclusive Insights with The Tribune Premium

Take your experience further with Premium access. Thought-provoking Opinions, Expert Analysis, In-depth Insights and other Member Only Benefits
Yearly Premium ₹999 ₹349/Year
Yearly Premium $49 $24.99/Year
Advertisement

Jalandhar, April 10

Advertisement

About Nikolai Gogol’s ‘The Overcoat’, Dostoevsky said, “We all came out of the overcoat.”

Advertisement

Amid the slowly rising heat of the early summer, Nikolai Gogol’s legendary story about a miserable St Petersburg copying clerk, who cannot afford an overcoat in his city’s exceeding chill; was adapted for stage by the YUVAA theatre group in Jalandhar, which ran to a nearly packed house from the city’s doting crowds. The play’s Saturday recital was brought to the audiences by the Romesh Chander Memorial Society.

A few years ago, one of the groups which presented a play during the YUVAA’s pan-national theatre festival — enacted a story about a bunch of men living and one of them dying — at a scrapyard. ‘The Overcoat’, in director-actor Ankur Sharma’s vivid portrayal of the clerk, brought forth memories of that scrapyard.

In a society filled with an increasingly entitled upper middle-class addicted to the rosy make-believe world of social media, the nuances of the men of the gutters and city underbellies are increasingly found missing in mainstream narratives. Fittingly, it is left to theatre to dwell on them.

Advertisement

The YUVAA’s cast brought out the nuances of the shivering, suffering, tortured man who spent the last years of his life dreaming of the ‘Bhed ki Khaal ka’ overcoat which hung daily in front of him at the store he worked in, but couldn’’t afford. A kind tailor friend made it for him but he passed — his muscles contracted with the city’s exceeding chill — before he could wear it.

Though the play is not the best of YUVAA’s stage outings, the story is necessary to be told to this age.

Advertisement
Show comments
Advertisement