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Allure of Ajanta, Ellora

The rock-cut caves, dating back 2,000 years, stand as timeless marvels of the country’s artistic and spiritual heritage
The Gallery inside cave 26, Ajanta. Photos by the writer
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His name may sound commonplace, but John Smith was special — in 1819, he discovered one of the greatest archaeological treasures of the subcontinent, the caves at Ajanta. The English cavalry officer was on a tiger hunt, about 100 km from Aurangabad in present-day Maharashtra, when he saw his quarry slip into an opening in the rock face of the opposite hill. He raced across the valley of the Waghur river and hacked his way through the dust, debris and undergrowth into the cave he had seen the tiger disappear into. He did not find his prey, but as William Dalrymple writes in ‘The Golden Road’, “Smith stopped dead in his tracks” at the sight.

The Kailasa temple pillar, Ellora.

What he saw was an incredible treasure of rock sculptures and frescoes dating back about 2,000 years. He had, in fact, stepped accidentally into one of the 30 caves burrowed in the sheer face of the volcanic rock mountain, around the U-shaped bend of the river. Even today, the external view of the caves, with vertical columns on their entrances, gives little indication of what lies within. But once one commences the demanding trek over steep steps cut into the rock face, and checks out one cave after another, what meets the eye is a truly incredible sight.

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Right from the first cave to the 26th (the last four have still not been restored for public view), a profusion of sculptures and wall paintings from Buddhist lore adorn the walls, ceilings, galleries and deep recesses within. Cave 10, the one Smith stepped into, and the one before it, are from the BCE era. Most were dug in between 400 CE and 600 CE. The frescoes in small frames across several caves, still in colours quite vivid, tell of stories from the life of the Buddha and the Jataka tales. And, the sculptures are not confined to a few that one sees on the covers of books on Indian art, but are seen in abundance across the entire complex.

The spirituality of the Bodhisattva blends exquisitely with the physical beauty of women with their curved torsos, elongated eyes and elaborate bodily adornments.

A Mural of Bodhisattva Padmapani in Cave 1, Ajanta. Istock

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A Yaksh holding up a beam, Ajanta.

Exploring Ellora

Ellora caves burrowed into overhanging rocks.

— The writer is a freelance journalist

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