The making of Sikh scripture - Guru Granth Sahib : The Tribune India

The making of Sikh scripture - Guru Granth Sahib

The making of Sikh scripture - Guru Granth Sahib

Padma Shri Baba Sewa Singh of Khadur Sahib at the exhibition inaugurated in GNDU, Amritsar

Highlighting the calligraphy and artwork adopted to document the Birs of Guru Granth Sahib since the 17th century, a two-day exhibition at Guru Nanak Dev University captures the aesthetics behind the ancient Sikh text. A report by Tribune reporter Neha Saini and lensman Sunil Kumar.

Guru Nanak Dev University on Thursday opened a two-day exhibition dedicated to 418 years of Parkash Utsav of Guru Granth Sahib. The exhibition puts the spotlight on techniques and craft of scribes, who used to manually write the Birs of Guru Granth Sahib and other important Sikh scriptures. From using “phool-booti” patterns on the pages where texts were written to using aesthetic motifs in numbering of the pages and making special organic ink for writing, the significant details of these scriptures of the 17th to 19th century are worth noticing.

The exhibition dedicated to 418 years of Parkash Utsav of Guru Granth Sahib.

On display are the rare religious manuscripts and ancient texts sourced from different regions, including West Bengal, Dhaka, Bihar, Maharashtra and parts of Punjab. Padma Shri Baba Sewa Singh of Khadur Sahib, who inaugurated the exhibition, stresses preservation of the tangible aspects of arts and ancient texts of the rich Sikh heritage. “The artwork done in old Birs is an example of the dedication, passion and skill that artisans and scribes of the time had,” he says.

The popular ‘phool-booti’ pattern used in 17th century manuscripts by scribes is still followed traditionally while publishing saroops of Guru Granth Sahib.

The exhibition has been curated by Prof Amarjit Singh, Director, Centre on Studies in Guru Granth Sahib. He has been working in preservation and documentation of the Sikh religious texts and digitising the source material for conservation. “The exhibition explores the incredible floral art work of different designs in the manuscripts of Guru Granth Sahib of the 17th to 19th century. The history behind the preparation, documentation and competition of Guru Granth Sahib is a legacy we need to know,” he said.

A manuscript in Guru Gobind Singh’s handwriting, brought from Patna Sahib, put on display at the two-day exhibition.

Right from the tradition in the Sikh history of recording Gurbani in “pothis” to the tradition of preparing handwritten Granths, which began with the compilation of the “Adi Sri Granth Sahib” in 1604 AD, the growth and development of calligraphy of Gurmukhi scripts can be studied from these exhibits. The process of writing the Birs manually involved preparation of special ink, using material like 24K gold, bhringraj oil, soot mix and indigo that were mixed together in a brass utensil with neem wood and kept for 20 days. The intricate naqashi style artwork on handmade paper stands out for its motifs and geometrical designs. The staple vines and the ‘phool-booti’ patterns adopted since the 17th century onwards are still used while publishing the Birs.

A 17th century Bir in which a special ink using 24K gold is used.

Sidebars of a scripture decorated using various patterns.

A 17th century handwritten Bir with gold-coated pages.

The text that tells how to make organic ink using 24K gold, bhringraj oil, soot mix and indigo.

From using ‘phool-booti’ patterns on the pages where texts were written, to using aesthetic motifs in numbering the pages, the significant details of these scriptures are worth noticing.

Incredible floral artwork of different designs in a manuscript.

The naqashi artwork stands out for geometrical designs.

A handwritten Bir with gold-coated pages.

#guru granth sahib #Guru Nanak Dev University GNDU #Sikhs

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