DT
PT
Subscribe To Print Edition About The Tribune Code Of Ethics Download App Advertise with us Classifieds
search-icon-img
search-icon-img
Advertisement

Mona Lisa smile ‘based on Leonardo da Vinci’s gay lover’?

Mona Lisas iconic smile was based on Leonardo Da Vincis probable gay lover an art historian has claimed The famous portrait that hangs in the Louvre in Paris has undergone infrared analysis to give the art world more insight into one of the worlds most renowned paintings
  • fb
  • twitter
  • whatsapp
  • whatsapp
featured-img featured-img
Leonardo da Vinci’s Mona Lisa remains as enigmatic and mysterious as her smile
Advertisement

Jess Denham

Advertisement

Mona Lisa’s iconic smile was based on Leonardo Da Vinci’s probable gay lover, an art historian has claimed.

The famous portrait that hangs in the Louvre in Paris has undergone infra-red analysis to give the art world more insight into one of the world’s most renowned paintings.

Advertisement

Following his examinations, Silvano Vinceti believes the artwork is an amalgamation of two models: a rich Florentine merchant’s wife, Lisa Gherardini, and da Vinci’s apprentice Gian Giacomo Caprotti, known to the artist as Salai, or Little Devil.

“The Mona Lisa is androgynous — half man and half woman,” he told The Telegraph, explaining that he studied other paintings based on Salai and found striking similarities. “You see it particularly in Mona Lisa’s nose, her forehead and her smile. We’ve come up with an answer to a question that has divided scholars for years. Who was the Mona Lisa based on?”

Advertisement

It is thought that Salai began working for da Vinci when he was around 10-years-old, after joining the artist’s household in 1490. He stayed for the next two decades. Gherardini married Francesco del Giocondo, whose family owned an extravagant villa during the period in which da Vinci painted the Mona Lisa (between 1503 and 1506). Vinceti has been excavating a covent in Florence for four years with the aim of unearthing Gherardini’s remains.

As ever with artistic theories, Vinceti’s conclusions have not gone unchallenged. Martin Kemp, a leading da Vinci expert and professor emeritus of history of art at Trinity College, Oxford, has dismissed the claims as “a mishmash of known things, semi-known things and complete fantasy”.

“The infra-red images do nothing to support the idea that Leonardo somehow painted a blend of Lisa Gherardini and Salai,” he said, adding that too little is known about Salai’s appearance.

“Giorgio Vasari (a contemporary painter and a chronicler of Renaissance artists) described him as a pretty boy with curly hair, but that was a standard type of the era,” he continued. “It featured in Leonardo’s work long before Salai came on the scene.”

Popular theories about the Mona Lisa abound, with some art lovers claiming that a lost original featured the model nude. Others believe that the portrait once had eyebrows and eyelashes, while some are convinced that da Vinci created multiple versions of the painting.

For now, the Mona Lisa remains as enigmatic and mysterious as her smile.

— The Independent

Advertisement
Advertisement
Advertisement
Advertisement
tlbr_img1 Home tlbr_img2 Classifieds tlbr_img3 Premium tlbr_img4 Videos tlbr_img5 E-Paper