Colours, crafts and culture take centre stage at International Trade Fair

The 44th edition of the India International Trade Fair (IITF) 2025 has opened its doors with an impressive display of tribal dances, traditional arts, handicrafts, workshops and cultural performances. With Bihar, Maharashtra, Rajasthan and Uttar Pradesh as partner states and Jharkhand as the focus state, the fair brings together nearly 30 states and Union Territories along with over 60 ministries, offering visitors a vibrant cultural tapestry.

Bihar: Celebration of traditional art forms

The Bihar pavilion stands out with its extensive display of Madhubani paintings, which adorn the entire space. Spread across two sections, the pavilion features bangles, fabrics, wall hangings, decorative items and more. Among the most eye-catching exhibits is the ancient Sikki grass craft, showcased by state award-winning artist Nazda Khatoon.

“I have been making these craft works since childhood, learning under my father and grandfather,” she said, displaying dolls, vases, wall pieces and jewellery made entirely from Sikki grass.

Another highlight is the intricate Tikuli painting — an age-old art form made popular by Padma Shri awardee Ashok Kumar Biswas. The painting depicts Hindu mythology, festivals and village life and is crafted on coasters, earrings, wall hangings and key holders. Scenes from Vishwa Shanti Stupa, Rajgir, Sita Mata Mandir and even the Patna Metro add to the pavilion’s visual appeal.

R’sthan: Workshops, puppets & charm of Hawa Mahal

The Rajasthan pavilion invites visitors with a beautiful Hawa Mahal-themed facade, live folk music and traditional performances. At the entrance, two musicians play the Ravanahatha, setting a rustic tone. At the centre is a popular live clay pottery workshop by master potter Chetan Prajapat from Ramgarh, Alwar, who brings a 15-generation legacy of traditional pottery. His collection includes miniature pots and uniquely designed pieces that break away from conventional styles.

Next to him, artisan Jainam leads an interactive tie-and-dye workshop, demonstrating the ancient 5,000-year-old resist dyeing technique from the Indus Valley civilisation.

Maharashtra: Sculpting stories in clay

The Maharashtra pavilion showcases models of iconic state monuments, a sculpture of Chhatrapati Shivaji Maharaj and exhibitors in traditional Marathi attire. Among the numerous stalls, one that instantly captures attention belongs to sculptress Kiran Jangir.

As she shaped a live clay portrait, she shared her journey, saying “I began this as a hobby in 2005. During my journalism days, I covered a camp on this art form, met my guru and instantly fell in love with sculpting. Gradually, I put down my pen and picked up clay and a brush.”

Jharkhand: Tribal rhythms and intricate woodwork

As the focus state, Jharkhand welcomes visitors with dynamic tribal dance performances. Inside, brass items, wooden crafts and handwoven textiles dominate the display.

One standout stall belongs to Peepal Tree, an organisation known for its intricate wooden handicrafts. Stall representative Deepanta Paul explained the detailed, fully handmade process. “Everything here is natural, no machines are used. From cutting to sanding to fixing to colouring, all work is done entirely by hand,” she said. Holding up a single-block wooden piece, she added, “This is carved from one solid piece of gamhar wood. After the design is drawn, we cut, shape and finish it manually