Death of single screen theatres and a viewing culture
It’s August 1994, raining cats and dogs. As people rush home to avoid the floods, Tilak cinema in the small town of Dombivli in Maharashtra is overflowing with Bollywood buffs, swaying to the tunes of ‘Didi Tera Dewar Deewana’ from the blockbuster ‘Hum Aapke Hain Koun..!’ They don’t mind if the show is houseful and they have to sit on wooden benches in front of the actual seat. They don’t mind the water seeping into the theater because of the rain. Tonight, the theatre isn’t just a shelter from the storm: it is a celebration, a community, a kind of magic only single screens could create.