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Ajay’s book ‘Khelai Sagal Jagat’ out

Jalandhar-based noted Hindi novelist Dr Ajay Sharma has penned another compelling novel titled ‘’Khelai Sagal Jagat’’, dedicated to “those Muslims whose ancestors were once Hindus.” The novel features three characters who are converted Muslims, one of whom is Hafiz Jalandhari....
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Jalandhar-based noted Hindi novelist Dr Ajay Sharma has penned another compelling novel titled ‘’Khelai Sagal Jagat’’, dedicated to “those Muslims whose ancestors were once Hindus.”

The novel features three characters who are converted Muslims, one of whom is Hafiz Jalandhari. A resident of Jalandhar, Hafiz’s ancestors had embraced Islam and he later moved to Pakistan during the Partition. He also wrote Pakistan’s Qaumi Tarana (national anthem), yet Jalandhar and Sanatan traditions remained deeply ingrained in his consciousness. His poetry includes references to Hindu gods and goddesses, reflecting his ancestral roots.

In the ‘’Sant Sipahi’’ chapter, a woman character traces her lineage to Sudama, one of the 52 poets in the Darbar of Guru Gobind Singh. Sudama had composed a Kabit for Kalgidhar Maharaj and two lines from it are quoted in the novel.

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The storyline revolves around the Ayodhya temple and delves into Hindu-Muslim politics that has been ongoing for decades. Each chapter has been uniquely titled, adding to the intrigue of the narrative. As the reader progresses, the novel evokes a sense of history repeating itself— especially with the last chapter named after Ayodhya.

The novel portrays Sanatan culture in such a vivid manner that it feels like watching a cinematic experience. Dr Ajay Sharma explores numerous themes that require further discourse, tackling complex topics with remarkable simplicity and depth. Writing on such issues is a challenging endeavour, but he has managed to keep the story engaging.

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Through his novel, Dr Sharma brings crucial societal issues to the forefront. He remarks, “Conversion is a significant issue and I have extensively researched. This novel presents that issue in depth.” The book also addresses sexual harassment among men, a topic rarely discussed in literature.

Beyond its themes, the novel captures the essence of Punjab — its environment, culture, festivals, folk songs and language. The plot remains gripping, touching on physical, mental and collective harassment.

The title itself encapsulates the essence of the entire narrative and the language used is both powerful and impactful.

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