Movie Review

The script required a director with greater imagination and flair

The series follows the journey of Aasmaan Singh, a small-town boy who unexpectedly finds stardom

The film borrrows half-baked plots from every romance trope

Though the film moves languidly, there is a sense of urgency, a premonition that engulfs you just as fires would

‘The Office’ thrived because the comedy met you in an off-hand remark or awkward glance in a sterile room. ‘The Paper’ often forgets this subtlety

The clash between tradition and modernity is telling and becomes the central tension in the film

It is glossy, entertaining and sometimes gripping

Performances alone do not make a film. Nor a few nice touches here and there

It is a creepy blast with shocking twists, a stellar cast and a tease for Season 3 that will leave fans desperate for more

The movie swerves down far too many paths — some mildly engaging, others plain jerky, and many utterly tedious

The director tends to fall back on mining nostalgia from previous outings

While the film does justice to Raj Begum’s pioneering legacy, it would be interesting to see the challenges faced by present-day female singers

This new adaptation of Warren Adler’s iconic anti-romantic comedy novel fails to connect the dots

The film is amiable, lightly witty and cosy enough to warm an evening, but it never quite musters the sparkle that its premise promises

The three-part documentary throws the spotlight on ‘America’s Biggest Loser’, the controversial reality show

The five-episode series may not be a gripping affair, yet with fair momentum, it is fairly watchable

It is sweet, charming and manages to make you feel connected to its characters

This film may not bore you to death, but doesn’t entertain either

The series is dotted with a liberal dose of humour

The series has more misses than hits

A wickedly fun upgrade

The documentary is a treasure trove for fans of Led Zeppelin and also for those curious about the music that electrified the 1970s

The film is fan service without any great mythology to attract and sustain newer audiences

A spiritual sequel to ‘Dhadak’, the film is once again a remake, this time of Mari Selvaraj’s Tamil film