Interesting array of films for young audience

Mumbai, December 28

Advertisement

The year that was saw several Indian films for children and young adults find favour in the international festival circuit. Sadly, the state of neglect for the genre continues in India. Films aimed at a young audience are still not a priority in our country — neither for the filmmakers, nor for the audience by and large.

Making cinema for children certainly never seemed like the most interesting area for filmmakers, either for those who are driven by a commercial lure or those who are focused on creating complex arthouse realism. The year 2020, however, had an interesting array of Indian films that spoke to the young viewer. One can think of “Mee Raqsam”, “Pareeksha: The Final Test”, “Harami”, “Matto Ki Saikil” and “Habbadi”. These films, screened at various international film festivals this year, revolve around teenagers and children, and their struggles, hopes and despair.

“Harami”, written and directed by Shyam Madiraju, and starring Emraan Hashmi with young actor Rizwan Shaikh, was selected for competition in the New Horizons section at Busan International Film Festival. A contemporary “Oliver Twist” of sorts, the film revolves around a teenage pickpocket who goes through an emotional journey and self-realisation after a particular incident.

Although his film is set in the dark reality of the nights of Mumbai, director Shyam told IANS: “The fact is, when we talk about children’s film, we either take it lightly, or we do not look for a story that finds a balance between being real, as well as positive. I found the story of my film from the streets of Mumbai when I used to live there. Yes, street children are living in darkness, but even in their world, there is the light at the end of the tunnel, if not, we as storytellers, in the fiction, show the light. So, for that, instead of putting the tag of ‘children’s story’ or ‘realistic cinema’, I think we just need to see a story as a story. Then it will resonate with the audience from every part of the world.”

Nachiket Samant’s Marathi film “Habaddi” is about a 10-year-old boy who finds a way to overcome his fear and tries to meet the girl he adores in school. “Habaddi” was the opening film at the Indian Film Festival of Melbourne, while opening up on that achievement, Samant notes a basic difference in approach to the genre between Bollywood and regional industries that came to fore this year again.

“If we look at the Marathi cinema, or any regional cinema for that matter, everything is not star-driven like Bollywood. So, we have room for children’s cinema. But for the Hindi cinema, we need a star. So, we have a ‘Taare Zameen Par’ but with an Aamir Khan,” said Samant. IANS