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Battle of nerves as India take on Pak for Asia glory

Special to The Tribune

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Pakistani cricketer Salman Agha and India’s Suryakumar Yadav. File
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There is a softening light that only a cricket ground knows on the evening of a final. It lies across the turf like a quiet promise. Tomorrow is a mystery and yesterday, for all its records and triumphs, is merely history. On Sunday night at the Asia Cup final, India and Pakistan meet not as neighbours in dispute, but as cricketers poised at the delicate edge of possibility.

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No rivalry in cricket carries quite this resonance. It is a contest that lives beyond its statistics, a tapestry of memory and sound: the low hum of expectation, the sudden intake of breath as the ball leaves the bowler’s hand and the roar when bat strikes ball clean and high. A match between these two is rarely just a game. It is part theatre, part test of will and wholly unpredictable.

For Pakistan, the equation is simple and yet immense. They come with little to lose, which can be the most liberating of states. The burden of proof rests elsewhere. Their mission is clear: break the rhythm of the Indian side that has known only serene beginnings in this tournament. In the first few overs lies their opportunity.

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Abhishek Sharma is the emblem of India’s current mood: young, fearless and fluent. His opening salvos have turned early overs into an overture of dominance. To remove him swiftly would be more than a wicket; it would unsettle a state of mind. For this task, Pakistan look to Shaheen Shah Afridi, whose left-arm swing can still make a ball whisper past the outside edge, and to the raw pace of Haris Rauf and Naseem Shah. A single inspired spell could change the narrative from certainty to suspense.

And yet, cricket finals have a habit of calling unexpected names to the stage. Suryakumar Yadav, so far searching for his best, might find the day is his. India are not a team of one brilliance but of many layers.

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Still, the essence of a final is not in numbers or line-ups. It is in the moment that cannot be foreseen: the ball that swings an inch more, the catch taken low at mid-wicket, the run-out that flashes from nowhere. It is the subtle shift when one side senses the other’s breath quicken.

As dusk settles, the match will move to its own music — rising, falling and pausing — until the last note is struck. For Pakistan, it is a chance to rewrite a story; for India, to prove that composure can outlast chaos.

In cricket, as in life, history offers comfort and prediction tempts the mind, but neither wins a final. When the first ball is bowled, only nerve remains. If India win, it will simply reiterate their dominance; if they lose, cricket will have played its line of glorious uncertainties, the game reminding us that no script is sacred. And long after the crowd has drifted away and the floodlights have cooled, some echo of this evening will linger in the quiet grass — proof that a game of bat and ball can leave an eternal music in the memory.

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