DT
PT
Subscribe To Print Edition About The Tribune Code Of Ethics Download App Advertise with us Classifieds
search-icon-img
search-icon-img
Advertisement

Obit

  • fb
  • twitter
  • whatsapp
  • whatsapp
Advertisement

Shravan Rathod November 13, 1954 – April 22, 2021

Advertisement

His music stirred the soul

Gurnaaz Kaur

Advertisement

In today’s age of remixes, most Bollywood music lovers know melody because of the film songs of the 90s, an era that was ruled by music director duo Nadeem-Shravan. Thursday brought an end to the epoch as composer Shravan Rathod passed away due to Covid-related complications.

The 66-year-old composer was admitted to SL Raheja hospital in Mahim, Mumbai. There were complications in his case and he had been in the ICU for the past few days.

Advertisement

Nadeem-Shravan is credited to have created history in Bollywood in the 1990s and 2000s. The duo gave chartbuster soundtracks one after another and their breakthrough film was Aashiqui (1990), which sold 2 crore cassettes in India and became the best-selling Bollywood album of all time. And the decade that followed was for them to reign.

Saajan, Phool Aur Kaante, Sadak, Deewana, Dil Kya Kare, Kasoor, Hum Hain Rahi Pyaar Ke, Rang, Dilwale, Raja, Barsaat, Raja Hindustani, Pardes, Sirf Tum and so many more; they belted out some of the most popular tunes of the industry and left an indelible mark on the map. What made their music unique was the strong influence of Hindustani music in their compositions. For most of their songs, they sued three instruments — bansuri, sitar and shehnai. In one of his interviews, Shravan had expressed his disappointment with today’s music. He said, “There is a lot of technology. Electronic music is artificial. It cannot be compared to a live orchestra. The focus should be on the lyrics and the concept of Indianness. We are copying Western style too much.”

As the news of Shravan’s demise broke, the film and music fraternity poured their grief on social media. While the family is inconsolable, Nadeem (as a name and perhaps as a person) too is left with a void that can never be filled.

Advertisement
Advertisement
Advertisement
Advertisement
tlbr_img1 Classifieds tlbr_img2 Videos tlbr_img3 Premium tlbr_img4 E-Paper tlbr_img5 Shorts